Article Results for "ARE"

Urban Ecologies

by: Catherine Gavin

With its stacked interchanges and sweeping flyovers, Texas has no shortage roadway feats, yet they often represent barriers for connectivity. Urban designers across the state are rethinking these roadways and using green infrastructure to reconnect downtown districts.

Page 9

Fosu Marina and Master Plan

by: OTA+

Austin-based OTA+ designed a new master plan and marina for the Fosu Lagoon area of Cape Coast, Ghana. The project proposes Africa’s tallest building.

Page 24

Worthy of World Heritage

by: Rachel Wright, AIA, and Anna Nau
Architect: Ford, Powell & Carson

Amid new bike trails and picnic tables, natural grasses and canoe slips, and native birds and shaded overlooks, four of San Antonio’s Spanish Colonial Missions are preparing to become the first World Heritage Site in Texas.

Mark Menjivar
Page 78

Material Arts

by: Catherine Gavin

Mies, materials, and digital fabrication — material arts are creative outlets providing new paths for architecture.

PHOTO BY JULIE PIZZO WOOD
Page 9

TASA/TASB

by: Texas Architect Staff

The 2012 Exhibit of School Architecture spon¬sored by the Texas Association of School Admin¬istration (TASA) and the Texas Association of School Boards (TASB) Convention awarded the Caudill Award to Lady Bird Johnson Middle School in Irving designed by Corgan Associates.

Page 14

...with Clovis Heimsath, FAIA

by: Lawrence Connolly, AIA

Although, keeping up with him has never been easy, Clovis Heimsath, FAIA, is a testament to architecture being a calling and not a profession — his practice and his lifestyle are seamless.

Julie Pizzo Wood
Page 60

Invest in Yourself and Your Career

by: Texas Architect Staff

Renew your American Institute of Architects (AIA) membership by March 31, 2013, to continue to receive important member benefits at the national, state, and local levels while sup¬porting the profession.

Page 67

Sustained Experience: Lead Pencil Studio’s “Diffuse Reflection Lab”

by: Matt Fajkus, AIA

Artists Annie Han and Daniel Mihalyo of Lead Pencil Studio are well-suited to explore the interstitial space between the fine and applied arts. “Diffuse Reflection Lab,” at the University of Texas at Austin Visual Arts Center, is a good example of their careful negotiation between the realms of art and architecture.

Jill Chan and The Artists
Page 10

Austin Community College at Highland Mall


Architect: Barnes Gromatzky Kosarek Architects

Austin’s Highland Mall sits largely abandoned. However Barnes Gromatzky Kosarek Architects’ proposal for the redevelopment of a former department store, into a new Austin Community College campus, floods the interior with light and activates the exterior with student gathering spaces.

Barnes Gromatzky Kosarek Architects, Elizabeth A. Day
Page 21

2013 Texas AIA Fellows

AIA has announced the 2013 members of the College of Fellows, and 13 are members of the Texas Society of Architects

Page 16

Buy Local

by: Catherine Gavin

In the ever-changing world of retail design, flexibility, simplicity, curb appeal, and storage are fundamental to continued success. Keepers, Eliza Page, and Rogue Running, all local Austin retailers, were pioneers of downtown shopping — and their continued relevance is a prom¬ising sign

Jud Haggard Photography, Casey Woods Photography, Juan Carlos DeLeon
Page 40

UTSA Summer Career Academy

High school and college students are invited to participate in a two-week Summer Career Academy in Architecture and Interior Design taught by faculty members of the College of Architecture at the University of Texas San Antonio’s downtown campus.

Page 74

Invest in Yourself and Your Career

Renew your American Institute of Architects (AIA) membership by March 31, 2013, to con¬tinue to receive important member benefits at the national, state, and local levels while supporting the profession.

Page 75

Preservation: The Past Meets the Present

by: Catherine Gavin

Courthouse and main street restoration programs are an exciting facet of historic preservation, but they generally represent the more traditional side of the field. This issue explores preservation in the context of rehabilitation, adaptive reuse, and contemporary design, illustrating how these projects can in fact meet prescribed sustainability standards.

Brantley Hightower, AIA
Page 5

Buildings of Texas, Volume One

by: Catherine Gavin

Geared for those with architectural wanderlust, “Buildings of Texas, Volume One” by Gerald Moorhead, FAIA, offers insights into the diversity of architecture throughout the state, and the promise that the travel to the metropo¬lises and hinterlands will be worth it.

photo by Elizabeth Hackler
Page 18

Fair Park Deco: Art and Architecture of the Texas Centennial Exposition

by: Anna Mod

“Fair Park Deco” is the third book by this author duo on Texas Art Deco. Jim Parsons and David Bush detail the Fair Park (Dallas) collection of Art Deco buildings, murals, sculptures, fountains, and landscape design, which are unrivaled nationally.

photo by Elizabeth Hackler
Page 19

Notes on Sketching

by: Joe Self, AIA

Sketching is a quiet, private thing. When shared, a sketch is revealed like a confidence — almost a secret.

sketches by Joe Self, AIA
Page 20

Streets, Plazas, Stairs

by: J. Sinclair Black, FAIA

Built into a bowl between the mountains, the topography of the historic town of Taxco, Mexico is radical, and the streets are not only narrow, but also extremely steep.

sketch by J. Sinclair Black, FAIA
Page 23

Reuse, Recycle, and Reinvent

by: Ben Koush

Studio RED Architects’ rehabilitation of a former warehouse for use as the Houston Permitting Center was centered on rigorously researched sustainability, deference to the industrial character of the old building, and the installation of an intensely local public art program.

Hester + Hardaway Photographers; MN | Photography
Page 48

Johnson Renewed

by: Gerald Moorhead, FAIA

Bodron+Fruit’s careful rehabilitation and restoration of Philip Johnson’s Beck House in Dallas resulted in a livable home that is true to both its historic character and the lifestyle of the new owners.

Charles Davis Smith, AIA; David McWilliams
Page 54

Seher Shah’s “Constructed Landscapes”

by: Rachel Adams

With degrees in art and architecture, artist Seher Shah’s areas of interest include overlapping historical and geographical elements, reconstructing modernist architecture and urban monuments, and examining futurist landscapes.

PHOTO OF “OBJECT RELIC (UNITÉ D’HABITATION)” COURTESY THE ARTIST.
PHOTO OF “OBJECT REPETITION (LINE TO DISTANCE)” BY JULIE WOOD PIZZO.
Page 10

Down and Up House

by: Stephen Fox

Karen Lantz, AIA, of Lantz Full Circle | Enter Architecture purchased a lot in Houston’s Ranch Estates subdivision and then proceeded to think long and hard about the house she wanted to design there for herself and her husband. The building is an in-depth study in local Texas materials.

Paul Hester and Jack Thompson
Page 24

Weekend with Turrell

by: Nonya Grenader, FAIA

Houston is home to three permanent installations by artist James Turrell: “Skyspace” at Live Oak Friends Meeting House; “The Light inside” at Wilson Tunnel, Museum of Fine Arts, Houston; and “Twilight Epiphany” Skyspace at Rice University. Each yields distinctly different effects, yet they are profoundly connected by the artist’s immersive exploration of light.

PHOTO COURTESY MUSEUM OF FINE ARTS, HOUSTON. PHOTOS OF THE LIVE OAK MEETING HOUSE BY PAUL HESTER. PHOTOS OF “THE LIGHT INSIDE” AND “ARCO” COURTESY MUSEUM OF FINE ARTS, HOUSTON. PHOTOS BY CASEY DUNN AND JULIE PIZZO WOOD.
Page 34

Warehouse Transformation

by: TA Staff

For its new home, Overland Partners converted the 26,000-sf Hughes Warehouse in the burgeoning River North area of downtown San Antonio.

Dror Baldinger, AIA
Page 76

Public Interest Design

by: Margaret R. Sledge, AIA

Is Sambo Mockbee the Howard Roark of our time? Margaret Sledge argues that his fundamental role in starting the Auburn University Rural Studio program was a catalyst for the growth of public interest design.

PHOTOS BY TIM HURSLEY.
Page 14
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