Article Results for "Light"

Calendar, January–February 2016

Highlights of architecture and cultural happenings around Texas, including San Antonio’s Beaux Arts Ball, Contingent Beauty at MFA Houston, and Moderno at The Blanton.

Page 16

Control Systems

by: Rita Catnella Orrell

In the January-February 2016 issue, TA’s products editor selects some of the most innovative building control systems on the market today.

Page 18

New Air Traffic Control Tower to Put Wings Over San Antonio’s Stinson Airport Members Only

by: Aaron Seward

HiWorks and Work5hop teamed up on the competition winning design, which references the early days of aviation and incorporates a civic lighting display.

Page 18

Calendar, March-April 2016 Members Only

Highlights of architecture and cultural happenings around Texas, including AIA Houston’s Celebrate Architecture Gala and Ann Veronica Janssens at the Nasher

Page 22

Best of International Product Design Members Only

by: Rita Catinella Orrell

Germany, Austria, and Sweden are just a few of the nations represented by the designers and manufacturers in this roundup, ranging from high-strength cement tiles to silk window curtains.

Page 27

Creek Show: Light Night

Austin’s Creek Show brought thousands of visitors to Waller Creek on a freezing night last fall to see installations by local architects and landscape architects.

Page 28

Small is Beautiful

by: Jack Murphy, Assoc. AIA

Candid Rogers Architect’s Marfa 10 x 10 Lightbox peeks over the shrubs to provide sweeping views of the West Texas landscape.

Chris Cooper
Page 56

Gray Matter

by: Canan Yetmen

Thanks to architect Mell Lawrence’s deft hand with light and patterning, Hollowcat Wild, a boxy limestone residence nestled in the Austin hills, is imbued with what architect and author Christopher Alexander calls “aliveness.”

Whit Preston and Andrea Calo
Page 34

Between Green and Violet

by: Ingrid Spencer

Rand Elliott, FAIA, deploys color with purpose, punctuating galleries at the Marfa Contemporary with vivid jolts of blue and using colored lighting to transform a series of parking structures in surprising ways.

Scott McDonald and Hedrich Blessing
Page 48

Dallas Modern

by: Eurico Francisco, AIA

“Dallas Modern” showcases some of the finest modern houses in the city. Reviewer Eurico Francisco, AIA, calls the book “a visual and intellectual delight.”

Page 11

Alighted Structures

by: James Warton

Based on morphological studies of avian bone structure, James Warton is exploring thin wall optimization as a possible design model.

Page 82

Re-Flex

Parametric design and digital fabrication create a responsive modular system focused on filtering light.

Page 24

Islamabad High Court

by: Todd Hamilton

Parametric design and digital fabrication create a responsive modular system focused on filtering light.

Page 24

Delightful

by: Joe Self, AIA
Architect: Renzo Piano Building Workshop (Design Architect) and Kendall/Heaton Associates (Architect of Record)

The impossibly smooth concrete of the new Renzo Piano Pavilion at the Kimbell Art Museum is just one of the material details of the building that demonstrates why architecture has the power to resonate with people.

Thomas McConnell
Page 38

Louis Kahn Plays the Organ

by: Philip Hendren, AIA

Once upon a time in 1970, Louis Kahn played the organ for a crowd of 400 in Austin.

PHOTOS BY PHILIP HENDREN, AIA
Page 33

Products

by: Rita Catinella Orrell

Our first products roundup by Rita Catinella Orrell.

Page 26

Products

by: Rita Catinella Orrell

Rita Catinella Orrell features a hospitality products roundup.

Page 24

Temple Dining Hall & Booth Student Center

by: Brett Koenig Greig
Architect: Arthur Andersson, FAIA

Slender pipe columns support a lofty roof while daylight pours into the soaring dining room at Andersson-Wise Architects’ Temple Dining Hall & Booth Student Center.

Andrew Pogue Photography
Page 82

Products

by: Rita Catinella Orrell

Rita Catinella Orrell features innovative tiles.

Page 32

Women in Architecture Exhibition at AIA Houston

AIA Houston and Architecture Center Houston feature a new exhibition, “Women in Architecture,” spotlighting contributions women have made to
the profession and offering a current snapshot of women’s changing role in architecture and design.

Page 94

Modesty is a Virtue

by: Ben Koush, AIA

Architect Donna Kacmar has demonstrated how to do rather a lot with not very much in this tiny, 544-sf house. Located in Houston, the home is like a light-hearted Texas garden folly where one is permanently on vacation.

Julie Pizzo Wood; Charlotte Wood; Luis Ayala
Page 30

A Triangle and A Tree

by: Catherine Gavin

At 64 Vanguard Way in Dallas, Max Levy has created a simple composition that represents a thoughtful and rigorous response to the challenges of the site. The house combines subtle connections to nature with playful gestures in the art of dwelling that both suit and delight the couple that lives there.

Charles Davis Smith, AIA
Page 40

Austin Community College at Highland Mall


Architect: Barnes Gromatzky Kosarek Architects

Austin’s Highland Mall sits largely abandoned. However Barnes Gromatzky Kosarek Architects’ proposal for the redevelopment of a former department store, into a new Austin Community College campus, floods the interior with light and activates the exterior with student gathering spaces.

Barnes Gromatzky Kosarek Architects, Elizabeth A. Day
Page 21

Menil Receives AIA Twenty-Five Year Award

Renown for its diffusion of natural light, the roof of the Menil Collection comprises 300, 25-mm-thick, ferrocement leaves, which protect the building from the light and heat of the Texas sun. Completed in 1981 by Renzo Piano, the Menil received the 2013 AIA 25-Year Award.

Hester + Hardaway Photography
Page 19

Irreconcilable Differences Resolved

by: Lawrence Connolly, AIA

The new United States Federal Courthouse in Austin designed by Mack Sogin Merrill Elam Architects meets a stringent security design paradigm and is flooded with natural light. This unconventional civic structure is perfect for Austin’s sensibilities.

Casey Dunn
Page 32
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