Article Results for "ARE"

Language in the Landscape

by: Daniel Olsen

The rural Southwest provides a place for landscape to wordlessly tell stories, reveal history, and offer solace. A few hours spent “listening” to this landscape reminds us that our spoken and written languages are human constructs.

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Art in the Park

by: PageSoutherlandPage
Architect: PageSoutherlandPage

In early 2004, a group of prominent local philanthropists negotiated a landmark deal with Houston Mayor Bill White. As outlined in the pact, the City of Houston contributed several downtown parcels in front of the George R. Brown Convention Center and the philanthropists agreed to fund the design and maintenance of a world-class park that promised to breathe new life into the urban core. Named through a public competition, the non-profit Discovery Green Conservancy opened the $122 million park in April 2008 to widespread acclaim. The 11.8-acre urban amenity is located near the southeast edge of downtown, between the Toyota Center basketball arena and Minute Maid Park baseball stadium.

Eric Laignel Photography; Chris Cooper Photography; Julie Pizzo
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Art at Discovery Green

The designers of Discovery Green incorporated art installations throughout the park, including interactive pieces that invite visitors to have a little fun. Great care was taken to ensure the installations would be visually prominent yet nestled within the park’s environs. Many of the works are by well-known artists, including Doug Hollis, whose Mist Tree (shown at left) is the latest of his water-jet sculptures designed for outdoor spaces around the U.S. His large interactive Gateway Fountain (at right) entices children to cool down from the heat.

Page 48

The Park on Barton Creek

by: Noelle Heinze
Architect: Merriman Associates/Architects

The Park on Barton Creek combines corporate office functionality with the natural setting of the South Austin greenbelt. Designed by Merriman Associates/Architects, the project features two five-story, 100,000-squarefoot buildings set along the western edge of the site to minimize impact to the heavily wooded Barton Creek.

Squire Haskins Photography
Page 62

Acme Brick Headquarters

by: Noelle Heinze
Architect: Gideon Toal

Acme Brick established two goals with the design of their new headquarters—to respond to the wooded site, setting a standard for future development in the area, and to demonstrate the variety of design alternatives that can be achieved with brick veneer.

Craig D. Blackmon, FAIA; Steven Vaughan
Photography, Dallas
Page 64

Survival in Challenging Times

by: Jim Atkins, FAIA and Grant A. Simpson, FAIA

Here we go again; another recession. And since the work of the design professional is directly related to the economy, our livelihood thrives or suffers accordingly. Those good times that seemed as though they would never end seem to have ended, at least for the present. Projects have gone on hold, or away, friends have been laid off, and many employees are now wanting for something meaningful to do.

Photo illustrations by Julie Pizzo; sketch courtesy merr iman associates/architects
Page 68

The Stuff of Dreams

Amongst the challenges and tribulations of the day, we are compelled to make one parting comment about young people in architecture and their future.

Page 69

Inside-Out Studio

by: Brian Dougan

During the Spring 2007 semester, behind an anonymous tract house on a culdesac in suburban College Station, I designed and built an inside-out studio where I produce utilitarian and often highly decorated earthenware.

images courtesy brian dougan
Page 76

Archives of the Episcopal Church

The Archives of the Episcopal Church, designed by Studio 8 Architects of Austin, is a five-story, 70,000-sf building that will be the new home for the church’s national archives, which are currently housed in a late-1950s campus as part of the Southwest Episcopal Seminary

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Building in ‘Enough’

by: Val Glitsch
Architect: Nonya Grenader, FAIA

The site for the house Nonya Grenader, FAIA, designed for her family in Houston was selected for the beauty of the existing trees and shade and its ideal proximity as a construction site. Intimately acquainted with the amenities of the Southampton neighborhood, a deed-restricted subdivision near Rice, the Grenaders had lived next door for 11 years before their elderly neighbor offered to sell them her house in 1997. The 55x130-foot lot presented an opportunity to create a new environment tailored to their long-established live/work lifestyle.

Nash Baker Photographer
Page 34

Urban Complex

by: Brian McLaren
Architect: JHP Architecture/Urban Design

Cityville Southwest Medical Center embodies the pioneer spirit. When opened in 2007, the mixed-use development shared the neighborhood with industrial brownfields, rusting steel warehouses, and a red-light district.

Steve Hinds; Stan Wolenski Photography
Page 46

Canyon Village

by: Lawrence Connolly
Architect: Alejandro Aravena; Cotera+Reed Architects

For St. Edward’s Universit y to achieve a desired national prominence as an institution of higher learning, President George E. Martin set out in 2001 to double the student enrollment to 4,000 by 2010. Martin knew that would require significant capital improvements, so he commissioned Philadelphia’s H2L2 to masterplan the 498-acre hilltop campus.

Cristobal Palma Photography; Andy Mattern,
Artimbo.com
Page 54

Informed by the Land

by: Dror Baldinger
Architect: Craig McMahon Architects; Studio Industrielle (associated design firm)

Having neve r befo re visite d the Hill Count ry, the Futu re owne rs we re charmed by the natural beauty of the site where they eventually would build their house. Majestic oaks frame the views of distant farmland as the 350-acre property drops a 100 feet to the Guadalupe River.

Chris Cooper Photography
Page 60

Baylor University Medical Center at Dallas – New Family Center

by: Susan Butler
Architect: HDR Architecture

Located on the seventh floor of Baylor University Medical Center’s Truett Tower in Dallas, the New Family Center is a 22,000-sf renovation specializing in postpartum healthcare services.

Mark Trew Photography
Page 69

Bridging the Gap

by: Megan Headley

We’ll admit it, there’s a lot more to a building than just the glass. And while we as an industry are charged with knowing the ins and outs of all the countless types of glass products available— architects are being overwhelmed by the need to know so much more.

Photo: Shutterstock
Page 70

A Clear Vision

by: Donna Kacmar
Architect: Kirksey

The new Cullen Eye Institute in the Medical Building of Baylor College of Medicine in the Texas Medical Center combines multiple adult ophthalmology subspecialties under one roof. Dr. Dan B. Jones, chair of the Ophthalmology Department at Baylor, recognized the need to consolidate the existing adult ophthalmology practice into a single building on the new McNair Campus.

Aker/Zvonkovic
Page 72

Living Laboratory

by: Urs Peter Flueckiger

As our planet’s reserves of water and energy sources become increasingly limited, architects must develop forms of architecture that incorporate – even celebrate – sustainability design practices. Toward that end, my students at Texas Tech University are engaged in an ongoing project that focuses on a variety of solutions. The result is a living laboratory designed for the harsh microclimate of Foard County about 45 miles west of Wichita Falls.

Images by Urs Peter Flueckiger
Page 84

Fierce Competition

by: Stephen Sharpe

The effects of the economic downturn are now clearly apparent across the state. The evidence is rendered in less-than-optimistic forecasts as firms cautiously plan for 2010. The recession is brought into sharper relief when compared with the robust business climate enjoyed by design professionals for a decade prior to last year’s fourth quarter.

Photo courtesy University Health Syst em
Page 7

Charles Gwathmey 1938-2009

by: Juan Miro, AIA

Charles Gwathmey – Charlie, as most people called him – started off his career with a bang. Like two other giants of the American arts, Orson Wells and Norman Mailer, Charlie produced a masterpiece while he was still in his 20s. After graduating from Yale, Charlie traveled through Europe where he was able to experience first-hand the works of his most admired Modernist master, Le Corbusier.

Photo at left by Rosa Rivera; photo at right courtesy Gwathmey Siegel & Associates Architects
Page 19

Solar LED Fascia

University of Houston students Daniel De La Garza, Jared Wilson Thorn, Alfonso Villafuerte, and Chukwunoso Ofili have developed a concept for an eco-friendly, multi-purpose lighting system that could serve nightly as neighborhood and home security lighting and as solar-powered emergency lighting during power shortages.

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Design Awards 2009

The 2009 TSA Design Awards jury met in Austin on May 15 to view 261 submittals of built work. The jurors were Mary Margaret Jones, FASLA, of Hargreaves Associates (San Francisco, Cambridge, and New York); Rick Joy, AIA, of Rick Joy Architects (Tucson); and Philip Freelon, FAIA, of the Freelon Group (Durham, N.C.)

Illustrations by Bryce Weigand
Page 39

A Sonnet to Dwell In

by: Eurico R. Francisco
Architect: Buchanan Architecture

The area just north of downtown Dallas known as Oak Lawn is rich and diverse in demographics, land use, and building types. Having matured over time, Oak Lawn has evolved into a neighborhood of restaurants, churches, hotels, offices, and a varied assemblage of residential buildings.

Jason Franzen; Illustration by Bryce Weigand
Page 48

Garden Spot

by: Michael Malone
Architect: Cunningham Architects

From the street Cunningham Architects’ House in the Garden is a beautifully conceived and executed object, partially shielded behind an iconic wall constructed of stainless-steel wire grid and filled with fragments of slag glass. This idealized garden villa – really a giant porch – provides a delightful way to both view and inhabit a highly personalized landscape. It’s a thoughtful and well organized bit of place making; surprisingly its greatest success is as a foil and extension of an outdoor space that was originally part of the adjacent house.

James F. Wilson, Gisela Borghi; Illustration by Bryce Weigand
Page 52

Concrete Poetry

by: Jeffrey Brown, AIA
Architect: Elliott + Associates Architects

This word painting by Rand Elliott, FAIA, explains how he wants people to understand his latest award-winning project, ImageNet of Houston. Employing poetry or manifestoes to describe one’s work is not uncommon these days. Indeed, such material appears to be a prerequisite of the current media culture that promotes “starchitects,” “signature architects,” and one-hit wonders. Supportive text is, we are led to believe, required reading. If a building appears mundane, baffling, or otherwise underwhelming, just refer to the narrative. Within the architect’s words, we are told, lies the true meaning which will assure in our prosaic times that, yes, this is Architecture.

Scott McDonald, Hedrich Blessing; Illustration by Bryce Weigand
Page 56

Haven for Art

by: Stephen Sharpe
Architect: Laguarda Low Architects

Once just another nondescript, single-story building indistinguishable from its neighbors that together comprise a light-industrial district wedged between downtown Dallas and the Trinity River, the Light & Sie Art Gallery now stands out. The reconfigured entry, framed by a box of aluminum panels, asserts a refined presence that quietly commands attention amid the clutter of storefronts along Leslie Street on the city’s near-west side. The 13,000-sf project is one of the latest examples in a transformative trend for the area where a few of the shopworn buildings have been repurposed as showrooms for the design trade and retail galleries for contemporary art.

Charles Davis Smith, AIA; Illustration by Bryce Weigand
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