Article Results for "Award"

AIA Brazos Awards 3 Projects

by: J.P. Grom, AIA

AIA Brazos held a jury on Aug. 6 for the chapter’s biannual design awards program. Jurors included Dror Baldinger, AIA, of Marmon Mok Architects, Brantley Hightower, AIA, of Lake/Flato Architects and Stephen Sharpe, the editor of Texas Architect. From a total of nine projects submitted, the jury selected three for recognition.

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Design Awards 2009

The 2009 TSA Design Awards jury met in Austin on May 15 to view 261 submittals of built work. The jurors were Mary Margaret Jones, FASLA, of Hargreaves Associates (San Francisco, Cambridge, and New York); Rick Joy, AIA, of Rick Joy Architects (Tucson); and Philip Freelon, FAIA, of the Freelon Group (Durham, N.C.)

Illustrations by Bryce Weigand
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Eclectic Ensemble

by: Lawrence Connolly
Architect: Dick Clark Architecture with Michael Hsu Design Office

When Antoine Predock, FAIA, was in midst of conceiving the new Austin City Hall, he commented that the city was “terminally democratic.” He made the remark after his design survived a protracted review process that included more than a dozen town meetings and hearings before the City Council. A similar sort of public scrutiny – albeit on a smaller, neighborhood scale – resulted when Dick Clark Architecture added a zoning non-compliant residential building to its 1400 South Congress mixed-use project.

Paul Bardagjy; Illustration by Bryce Weigand
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Terminal Clarity

by: Gregory Ibanez
Architect: Corgan with HKS and HNTB

Discussing Dallas Fort Worth International Airport Terminal D and its selection for a 2009 TSA Design Award, juror Philip Freelon, FAIA, said, “We thought that the project was a very good example of a public building, very prominent, but it still was handled with quite some sensitivity. We all have been in airports, probably more than we’d like, and this is one where you actually feel a sense of light and airy space, which is relaxing. Natural light was well used, and the high volume of the space gives it an open and comfortable feeling. We thought it was well worthy of an award.”

Craig Blackmon, FAIA; Illustration by Bryce Weigand
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A Sonnet to Dwell In

by: Eurico R. Francisco
Architect: Buchanan Architecture

The area just north of downtown Dallas known as Oak Lawn is rich and diverse in demographics, land use, and building types. Having matured over time, Oak Lawn has evolved into a neighborhood of restaurants, churches, hotels, offices, and a varied assemblage of residential buildings.

Jason Franzen; Illustration by Bryce Weigand
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Garden Spot

by: Michael Malone
Architect: Cunningham Architects

From the street Cunningham Architects’ House in the Garden is a beautifully conceived and executed object, partially shielded behind an iconic wall constructed of stainless-steel wire grid and filled with fragments of slag glass. This idealized garden villa – really a giant porch – provides a delightful way to both view and inhabit a highly personalized landscape. It’s a thoughtful and well organized bit of place making; surprisingly its greatest success is as a foil and extension of an outdoor space that was originally part of the adjacent house.

James F. Wilson, Gisela Borghi; Illustration by Bryce Weigand
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Concrete Poetry

by: Jeffrey Brown, AIA
Architect: Elliott + Associates Architects

This word painting by Rand Elliott, FAIA, explains how he wants people to understand his latest award-winning project, ImageNet of Houston. Employing poetry or manifestoes to describe one’s work is not uncommon these days. Indeed, such material appears to be a prerequisite of the current media culture that promotes “starchitects,” “signature architects,” and one-hit wonders. Supportive text is, we are led to believe, required reading. If a building appears mundane, baffling, or otherwise underwhelming, just refer to the narrative. Within the architect’s words, we are told, lies the true meaning which will assure in our prosaic times that, yes, this is Architecture.

Scott McDonald, Hedrich Blessing; Illustration by Bryce Weigand
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Haven for Art

by: Stephen Sharpe
Architect: Laguarda Low Architects

Once just another nondescript, single-story building indistinguishable from its neighbors that together comprise a light-industrial district wedged between downtown Dallas and the Trinity River, the Light & Sie Art Gallery now stands out. The reconfigured entry, framed by a box of aluminum panels, asserts a refined presence that quietly commands attention amid the clutter of storefronts along Leslie Street on the city’s near-west side. The 13,000-sf project is one of the latest examples in a transformative trend for the area where a few of the shopworn buildings have been repurposed as showrooms for the design trade and retail galleries for contemporary art.

Charles Davis Smith, AIA; Illustration by Bryce Weigand
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Elegant Tribute

by: Geof Edwards
Architect: Poteet Architects

Approaching the Linda Pace Foundation from the east, visitors are confronted with a strikingly graphic text piece on the building’s canvas-like facade, a short poem by Daniel Edgar Martinez: “beauty…it rubs against one’s tongue, it hangs there, hurting one, insisting on its own existence, finally it gets so one cannot stand the pain, then one must have beauty extracted.” It’s an “in your face” message that transcends its purpose as a public art piece and could describe the transformation of a derelict 1940sera auto paint shop into what is now the subtle and powerful beauty of the Linda Pace Foundation.

Chris Cooper Photography; Illustration by Bryce Weigand
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Folia Fictus

by: Jenny Kiel
Architect: Dillon Kyle Architecture

Once the site of an identical apartment building as the building the gallery now inhabits, is where the designers Dillon Kyle and Cedar Baldridge imagined a parking lot built for the artists of the gallery. The parking lot is actually used more by the guests and owners of the gallery but it makes a nod to the artwork inside. It is a unique integration of art, landscape, and function.

Casey Dunn Photography; Illustration by Bryce Weigand
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Cross-Cultural Delight

by: Rick Lewis
Architect: Jackson & Ryan Architects

Although San Antonio’s iconic settings are significant especially when weighed for their economic benefits to Texas’ third largest city, the broader story of her heritage, traditions and, most importantly, her people is to be found in quarters beyond the shadows of high-rise downtown hotels.

Mark Scheyer/Houston; Illustration by Bryce Weigand
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Inspired Display

by: Stephen Sharpe
Architect: Overland Partners

Aglow at night like a gigantic Chinese paper lantern, the Lenora and Walter F. Brown Asian Art Wing, designed by Overland Partners of San Antonio, inserts a luminous minimalism into the crenellated, century-old former Lone Star Brewery that houses the San Antonio Museum of Art. The architects have maintained the subtle rhythms of the circa-1900 brewery while deftly introducing a sleek, modern horizontal complement to the venerable, vertical brick structure.

Paul Bardagjy Photography, Terry Manning Photography; Illustration by Bryce Weigand
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Catalyst for Creativity

by: Stephen Sharpe
Architect: HKS

The comprehensive renovation of a circa-1970 Brutalist office building has yielded a comfortable and award-winning home for the innovate research being conducted by the University of Texas at Dallas Center for BrainHealth. Designed by HKS, with Kyley Harvey leading the effort, the 63,000-sf project was completed in late 2006.

Blake Marvin/HKS; Illustration by Bryce Weigand
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Enlightened Living

by: Noelle Heinze
Architect: MJ Neal Architects

Wolfe Den, by MJ Neal, AIA, represents the Austin architect’s fifth TSA Design Award. The 2,300-sf residence, designed for a young professional couple, is a study in layers, light, and logic, and stands out in subtle contrast to Neal’s previous award-winning work, which includes Twin Peaks (2003), Ramp House (2004), Anthony Nak (2005), and Farley Studio (2007). “This is a much more subtle work than Ramp House and Twin Peaks. The division of space is central to this project,” says Neal, when asked to define the difference between this home and the three others (Twin Peaks comprises two side-by-side dwellings) on the same south Austin street. Sited in an eclectic neighborhood populated by mostly 1930s-era homes interspersed with hip makeovers, Wolfe Den is bordered on the east by a one-story bungalow and on the west by the strikingly modernist Ramp House. Further down the block are Twin Peaks.

Viviane Vives
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TSA Announces 2009 Honor Awards

by: Noelle Heinze

During its 70th annual convention in October, the Texas Society of Architects recognized the following as this year’s Honor Award recipients for significant contributions to the architectural profession and the quality of the built environment.

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Peterson Is First Woman To Receive Top TSA Honor

by: Mary Carolyn Hollers George

Carolyn Peterson, FAIA, is the forty-first recipient of the Texas Society of Architect’s highest award – the Medal for Lifetime Achievement in Honor of Llewellyn W. Pitts FAIA – presented annually to a TSA member for contributions to the profession of architecture and their community. From its inception in 1968 until this year, the honor’s awardees have been exclusively male.

photo courtesy Ken Slavin
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TSA Firm Award Goes to PSP

by: TA Staff

In honor of its significant contributions to the architectural profession and the community, the 2009 TSA Firm Award was presented to PageSoutherlandPage during the Texas Society of Architect/AIA convention on Oct. 23.

image courtesy PageSoutherlandPage;
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Studio Awards 2009

Since 2004, the Texas Society of Architects has sponsored the TSA Studio Awards to recognize the best in unbuilt work by architectural students and faculty, as well as by architects practicing in the state. Prior to this year, submittals were reviewed by the same jurors who judged the TSA Design Awards.

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Studio Awards 2009


Architect: Brave /Architecture

Where the historical covered bridge protected the structure from the elements, this reinterpretation permits the elements to pass through the structure. Located in the Texas Hill Country, the Sorensen Bridge is the addition of a structure to an existing bridge spanning 50 feet across Sandy Creek near New Ulm. The creek divides 220 acres of private property that belongs to an entrepreneur whose business is selling tube steel.

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Studio Awards 2009


Architect: SHW Group

While undergoing tremendous political and socio-economic transition in light of the post-Saddam Hussein regime change, Kurdistan is embracing education and the power it has to transform a nation. This has led to a desire for schools that can serve as catalysts for the transformation, and the new Transformational School will become a prototype for introducing twenty-first-century educational methods.

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Studio Awards 2009


Architect: Morris Architects

Bird watching presents untapped potential for the hospitality industry. With as many as 47.8 million American’s calling themselves “birders,” a niche market for hotel design has been previously overlooked. Morris Architects designed an approach that can make this great pastime a sensory, exciting experience for anybody—professional naturalists, hobbyists, or those in search of a luxurious retreat experience.

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Studio Awards 2009


Architect: Bart Shaw, AIA

FEMA trailers are by their nature temporary and by their character demoralizing. What if a permanent solution could be deployed quickly enough to help people retain their community, spirit, and viability? Lift:Home was developed for this purpose.

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Studio Awards 2009


Architect: Nicholas Richardson

Simulation helps designers see virtual space as more than just a mirror of reality, allowing the user to test the potential realities – site conditions, material properties, lighting, and the laws of physics – of a design before constructing it at full scale.

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Studio Awards 2009


Architect: Hernan Molina

The project proposes to redevelop Valencia’s old harbor in Spain that represents the commitment of the city with a modern spirit, rich in options and aspirations. This project of renovation and master planning intends to recover the harbor in a sustainable manner. The project proposes: 1) to create a waterfront where none currently exists; 2) to integrate the port into the city; 3) to suitably separate the port and non-port uses; 4) to order traffic circulation along the seafront; 5) to resolve the area in which the dry river bed joins the sea; 6) to conserve and recover the heritage of the area; 7) to propose a suitable combination of public and private uses; and 8) to consider pre-existing uses for their integration into a sustainable environment.

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Studio Awards 2009


Architect: Jeremy Olbrys

The 89,000-sf museum in downtown Lima exhibits Peru’s collection of ancient and contemporary textiles while also providing spaces for research, preservation, education, and social/community events. It also utilizes lighting, scale, and spatial experience to properly display textiles.

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