Article Results for "Light"

Austin Community College at Highland Mall


Architect: Barnes Gromatzky Kosarek Architects

Austin’s Highland Mall sits largely abandoned. However Barnes Gromatzky Kosarek Architects’ proposal for the redevelopment of a former department store, into a new Austin Community College campus, floods the interior with light and activates the exterior with student gathering spaces.

Barnes Gromatzky Kosarek Architects, Elizabeth A. Day
Page 21

Menil Receives AIA Twenty-Five Year Award

Renown for its diffusion of natural light, the roof of the Menil Collection comprises 300, 25-mm-thick, ferrocement leaves, which protect the building from the light and heat of the Texas sun. Completed in 1981 by Renzo Piano, the Menil received the 2013 AIA 25-Year Award.

Hester + Hardaway Photography
Page 19

Irreconcilable Differences Resolved

by: Lawrence Connolly, AIA

The new United States Federal Courthouse in Austin designed by Mack Sogin Merrill Elam Architects meets a stringent security design paradigm and is flooded with natural light. This unconventional civic structure is perfect for Austin’s sensibilities.

Casey Dunn
Page 32

Daylight and Design

by: Catherine Gavin

Sketches that bring sunlight and moonlight into spaces in creative, playful ways; otherworldly experiments in color centered on the early morning and evening skies; the construction of shade for people and plants; an oasis of densely planted, colorful cacti in the desert; and the benefits of daylight for work and study — this issue is about natural light and design.

PHOTO BY ISTOCK; SOFTSERVEGIRL
Page 5

Waller Creek’s Creek Show

by: Octavia Hayes

Creek Show proposes to transform Austin’s Waller Creek into an active venue for art, architecture, and landscape architecture. A series of temporary installations will appear along the 1.5-mile site in an attempt to surprise and delight the community.

RENDERINGS COURTSEY DESIGN WORKSHOP, BALDRIDGE ARCHITECTS, LEGGE LEWIS LEGGE, AND THOUGHTBARN
Page 8

Chapel Saint Francis de Sales, Haute- Savoie, France

by: Legge Lewis Legge

Legge Lewis Legge’s beautiful proposal for the Chapel Saint Francis de Sales in Haute-Savoie, France, honors the obscure saint of writing.

Page 16

Finding the Light

by: Michael Malone, AIA

Michael Malone, AIA, describes for Texas Architect readers how as a student, he discovered Louis Khan’s light, so revered by his architecture professors.

Page 19

Down and Up House

by: Stephen Fox

Karen Lantz, AIA, of Lantz Full Circle | Enter Architecture purchased a lot in Houston’s Ranch Estates subdivision and then proceeded to think long and hard about the house she wanted to design there for herself and her husband. The building is an in-depth study in local Texas materials.

Paul Hester and Jack Thompson
Page 24

Light Sketches

by: Max Levy, FAIA

Max Levy, FAIA, knows how to bring daylight into a room in beautiful and creative ways. “Light Sails,” rods, trellises, and apertures in the ceiling, these five sketches demonstrate why he is a master of light.

Max Levy, FAIA
Page 32

Weekend with Turrell

by: Nonya Grenader, FAIA

Houston is home to three permanent installations by artist James Turrell: “Skyspace” at Live Oak Friends Meeting House; “The Light inside” at Wilson Tunnel, Museum of Fine Arts, Houston; and “Twilight Epiphany” Skyspace at Rice University. Each yields distinctly different effects, yet they are profoundly connected by the artist’s immersive exploration of light.

PHOTO COURTESY MUSEUM OF FINE ARTS, HOUSTON. PHOTOS OF THE LIVE OAK MEETING HOUSE BY PAUL HESTER. PHOTOS OF “THE LIGHT INSIDE” AND “ARCO” COURTESY MUSEUM OF FINE ARTS, HOUSTON. PHOTOS BY CASEY DUNN AND JULIE PIZZO WOOD.
Page 34

Made in the Shade

by: Kevin Sloan

Natural light is essential to architecture, but when thinking about the sunlight in Texas, one of its qualities seems to dominate all the others: heat. Shade structures by architects Bud Oglesby, FAIA; O’Neil Ford, FAIA; Max Levy, FAIA; Murray Legge, FAIA; and Foster + Partners provide significant examples of passive designs to beat the heat.

PHOTO COURTESY LZT ARCHITECTS. PHOTOS BY BILL MILLER PHOTOGRAPHY. ELEVATIONS COURTESY MAX LEVY ARCHITECT. PHOTOS COURTESY LZT ARCHITECTS AND FORD, POWELL & CARSON. PHOTO BY CHARLES DAVIS SMITH, AIA.
Page 40

Desert Decadent

by: Aaron Seward

The Office of James Burnett’s new Sunnylands Center & Gardens is a composition of color and texture achieved through a densely layered, yet sustainable, planting design.

Ken Hayden, Sibylle Allgaier, and Dillon Diers
Page 46

A New Lease on Life

by: Ingrid Spencer

Austin-based Miró Rivera Architects designed a sustainable and economical building, full of natural light, for the not-for-profit LifeWorks in East Austin.

Paul Finkel and Michael Hsu
Page 52

School Matters

by: Ron Stelmarski, AIA

A motivated Dallas Independent School District (DISD), in collaboration with the local community and partnering colleges, engaged SHW Group to build the kind of school most only talk about: the Kathlyn Joy Gilliam Collegiate Academy.

Luis Ayala
Page 58

Nature Meets Science

by: Gregory Ibañez, FAIA

Morphosis Architects has claimed possibly the most visible place in the conversation about Dallas’ object buildings with the fractured, vertical form of the Perot Museum of Nature and Science.

Thomas McConnell
Page 66

WJE Office Building

by: TA Staff

When PageSoutherlandPage proposed using high thermal mass concrete walls as a means of reducing energy consumption in the new office building for Austin engineers Wiss, Janney, Elstner Associates, the team saw it as an interesting case for experimentation.

Casey Dunn Photography
Page 74

Warehouse Transformation

by: TA Staff

For its new home, Overland Partners converted the 26,000-sf Hughes Warehouse in the burgeoning River North area of downtown San Antonio.

Dror Baldinger, AIA
Page 76

1000 Foch Street

by: TA Staff

An adaptive reuse of two early 20th-century industrial buildings, 1000 Foch Street in Fort Worth is a simple combination of minimalist forms and materials by Cunningham Architects.

James F. Wilson and Gisela Borghi
Page 78

Multipurpose Training Center

by: TA Staff

Leslie Elkins, AIA, designed the $1.45M LEED Silver-certified Magnificat House W.T. and Louise J. Moran Center as a versatile and efficient space that supports a population in transition by providing them with valuable skills.

Hester + Hardaway and Junko Nonaka
Page 80

...with Richard Payne, FAIA

by: Lawrence Speck, FAIA

An icon and indisputably the dean of architectural photographers in Texas, Richard Payne, FAIA, has been a registered architect since 1964 and a full-time architectural photographer for almost 45 years.

Nicole Mlakar
Page 83

Remain in Light

by: Jack Murphy

Re:Site and METALAB recently installed “Memory Cloud,” a light-based an installation that creatively embodies campus life, at the Texas A&M University Memorial Student Center.

IMAGES COURTESY METALAB AND TEXAS A&M UNIVERSITY
Page 92

Roy Kelly Terminal and Parking Garage

by: Ben Koush

Powers Brown Architecture created a safe and inviting street presence with the clean lines and bright lights of the Roy Kelley Terminal and Parking Garage in Bryan.

Dror Baldinger, AIA
Page 62

Making Light: The Menil Collection Receives 25-Year Award

by: Ben Koush

The Menil Collection, designed by Renzo Piano with Richard Fitzgerald & Associates and inaugurated in 1987, was selected by the Texas Society of Architects for its 25-Year Award.

Page 27

AIA LRGV Tour: Three Hundred Years Of Brownsville Residential Architecture

by: Stephen Fox

Participants in the nineteenth annual Building Communities Conference of the Lower Río Grande Valley chapter of the American Institute of Architects kicked off a two-day conference at South Padre Island in late September with a daylong tour focused on three centuries of residential architecture in the border city of Brownsville.

Photo by John Faulk Images + Design
Page 11

Blanco Public Library


Architect: Brett Wolfe, Assoc. AIA

For a planned expansion of the public library in Blanco, designer Brett Wolfe, Assoc. AIA, drew inspiration from F.E. Ruffini’s 1885 limestone courthouse that looms over the center of town about a half-mile away.

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