Article Results for "ARE"

Paggi House

by: Noelle Heinze
Architect: J Square Architecture

Sited on a bluff overlooking Austin’s downtown skyline and Lady Bird Lake, the Paggi House recently underwent renovations that restore the original 1840s structure while adding a contemporary twist. Re-imagined by J Square Architecture, the 5,523-sf restaurant, which once served as an inn and a family home, gained a new roof, outdoor bar/dining space, restroom, and office.

J Square Architecture; Rebecca Fondren Photography
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August E’s

by: Noelle Heinze
Architect: Mustard Design

August E’s was an established restaurant in need of a new location. In 2008, the business moved to an existing building one block off historic Main Street in Fredericksburg. Designed by Andrew E. Bray of Mustard Design, the project injected new life into a 4,900-sf structure that previously housed a 1950s automotive repair shop and later a furniture warehouse.

Green Dog Pictures
Page 60

Intentional Grounding

by: Stephen Sharpe

Texas St adium collapsed on April 11 in a well-executed implosion detonated at 7:08 a.m. that ended a storied 37-year career as the home of the Dallas Cowboys. In less than 30 seconds and before more than 20,000 witnesses, a spectacular series of blasts from 2,715 lbs. of explosives reduced the 65,675-seat arena to rubble.

The City of Irving
Page 68

The Collector

The Collector, a conceptual project by Brendan O’Grady, AIA, of RTKL Associates in Dallas, is a mixed-use development imagined for construction in Shanghai. Planned to encompass more than 2.7 million square feet, the project is “designed to harness the energy of business, culture, and nature.”

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ADA @ 20

by: Brion Sargent, AIA

Civil rights movements in America are as varied as the people they serve to protect, each group seeking justice or parity for those overlooked by the political establishment. Often unpopular in their initial stages, such movements have transformed our society and over time their triumphs have come to be accepted as integral to our social fabric.

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Survivors

by: Mort Levy, FAIA

Following the devastation of Hurricane Ike in September 2008, an engineer emerged from under the battered substructure of Galveston’s First Presbyterian Church to apprise Rev. David Green of the damage. “Pastor, your church has no foundation,” he said, apparently without thinking his statement’s underlying irony. Yes, perhaps its structural foundation was in need of repair, but the spiritual foundation of First Presbyterian, a survivor of more than a century of catastrophic weather events, has never weakened.

(Above) Photo Courtesy Library of Congress, LC-US Z62-126820 DLC, Prints & Photographs Division, HABS LC-US Z62 -126820 (Below) ‘Ike’ photo Courtesy FEMA; ‘1900’ Photo Courtesy Library of Congress, Prints & Photographs Division, HABS LC-US Z62-120220
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The Lance Armstrong Foundation Headquarters

by: Noelle Heinze
Architect: Lake/Flato Architects in collaboration with the Bommarito Group

Entering the Lance Armstrong Foundation (Livestrong) headquarters is an exercise in transition—from busy streetscape through serene garden to an open, sunlit interior. Transition also characterizes the conversion of the 1950s-era warehouse into the Livestrong offices, considering that a wide variety of the project’s materials were salvaged from the original structure.

Casey Dunn; Paul Hester
Page 44

PSU Overlook Pavilion

by: Sean Burkholder
Architect: Overland Partners Architects

Integrating architecture into any given context while maintaining design integrity is a fine art. Architects must constantly walk the line between over- or under-contextualizing a building to support its strength as a unique entity within its environment. Somewhere between total disregard to surroundings and cliché facsimiles of geologic or biologic imagery, a good architect can find a project’s meaning without being overt. Such sought-after balance has been gracefully achieved by Overland Partners with the firm’s new Overlook Pavilion at Penn State University.

Jeffrey Totaro
Page 56

Sid W. Richardson Visual Arts Center

by: Rebecca Boles
Architect: Gideon Toal

Fort Worth Country Day ha s the cache t of bei ng one of the premier college preparatory programs in North Texas. In existence since 1963, Fort Worth Country Day offers K-12 instruction on its campus in southwest Fort Worth. Students become accustomed to the feel of a college campus as they change classes and circulate among separate academic buildings throughout the school day. Covered walkways, an abundance of trees, and landscaping with mature plantings are evidence that the school’s leadership sees the importance of an appropriate setting in creating an environment for learning.

Craig Kuhner
Page 64

East Windsor Residence

by: Ingrid Spencer
Architect: alterstudio architects

According to Kevin Alter, the 4,200-sf, three -story East Windsor Residence is essentially a one-bedroom loft because the top floor “has all the pleasures and attributes of a penthouse and then it expands down to give you all this other stuff.” The project was designed by Alter, along with alterstudio architects co-principal Ernesto Cragnolino, AIA, with a focus on the third level, which boasts 270-degree views and contains the master suite, kitchen, and main living area. But the “other stuff” found on the remaining two levels completes this finely crafted house in dynamic and dramatic ways.

Paul Finkel; Jonathan Jackson
Page 76

The Perils of Substitutions - Part II

by: Jim Atkins, FAIA, and Grant A. Simpson, FAIA

Substitutions can carry many unbalanced risks for architects, but they are likely to endure, as we observed in Part I of this two-part series. The perceived positive results for owners and contractors will allow substitutions to prevail as a popular cost-reducing exercise, and architects will be expected to accept them and bear responsibility for their performance.

Page 86

TSA Convention Preview: Exhibitors

The Texas Society of Architects/AIA welcomes these exhibitors to the 2010 Expo in San Antonio (current list as of August 3rd). Expo dates are October 14-15 at the Henry B. Gonzalez Convention Center. Come to HALL A and visit their booths to learn more about new products and services. Check out who’s showing at this year’s Expo!

Page 96

Inside the Dome

by: Art Levy

As a tour guide at the Texas State Capitol, I’m constantly asked, “Are we going to go up to the very top?” The answer is always an unfortunate “No.” It pains me to have to quash such naked curiosity. We all cherish the thought of scaling and exploring heights, from a kid climbing trees to the adventurer conquering the tallest mountains. So it’s only natural that people should ask that question within five minutes of starting a tour. Skip the history, please: we want to go up there.

Library of Congress, Prints & Photographs Division, HABS TX-3326
Page 112

Worst-Case Scenario

by: Stephen Sharpe

In contrast to the photographs that illustrate the mixed-use projects profiled in this edition’s feature section, the University Park development in Austin is not a pretty picture. The owner’s ambitious plans for a high-density urban village on 23 acres along I-35 just north of downtown have fizzled, leaving a half-empty office building to stand alone amid an otherwise abandoned construction site. Tenants are angry, neighbors are frustrated, and everyone else is wondering how things went so wrong.

Roma Austin
Page 5

Bailey Honored for Lifetime Achievement

by: TA Staff

As a young man fresh off the farm and poised to begin his university studies, Ray Bailey couldn’t decide between architecture or commercial art as his future career. He had always liked to draw and saw things in three dimensions.

Page 16

Richard Ferrier, FAIA (1944-2010)

by: Ron Kent, AIA

Richard Ferrier’s life was like a series of his watercolors—transparent at first, then opaque, and finally transparent again as he shared his heart and soul to his students and friends. When painting, he would begin by masking off the borders and soaking the page with water. Then came the magic as he blended cobalt blue and yellow ochre, mixtures that would then bleed into the wet parchment and travel as the angle set by his hands allowed. His life was like that, a magical work of art created from a broad range of hues.

Craig Kuhner
Page 20

Romanian Adventure

by: J. Tom Ashley, FAIA

Sometime after midnight in May 2009, I arrived in the Romanian capital of Bucharest as part of the twenty-sixth group of Peace Corps volunteers to serve in this former Soviet bloc country. All 37 of us had met in Washington, D.C., for orientation before flying together overseas.

Page 27

Aftermath

by: Gregory Ibanez

On March 28, 2000, Fort Worth was struck by a powerful tornado that followed West Seventh Street from the west side into the heart of downtown. The rare urban twister caused over $450 million dollars of damage in just over 10 minutes, and the bent steel beams of a former billboard remain as testament to its power and capriciousness. Ten years later, West Seventh Street is a vastly different place, with new development creating an urban corridor linking two of the jewels of Fort Worth—downtown’s Sundance Square and the Cultural District.

renderings of Museum Place master plan and hotel by Corvin Matei; Kimbell Expansion rendering by Renzo Piano Building Workshop; Center for Architecture photo by Brandon Burns; Museum Place photos by Steve Hinds Photography; W 7th photo by Gene Fichte; Modern Art Museum photo by Joe Ak er
Page 35

Seasoned with History

by: J. Brantley Hightower
Architect: Darryl Ohlenbusch, AIA

In the 1920s, the area of San Antonio now know n as Southtown was a thriving and culturally diverse community just south of downtown. It was in the Italian-American enclave of this district where an industrious entrepreneur built a corner building with retail at street level and living quarters above.

Chris Cooper Photography
Page 42

A Work in Progress

by: Kevin Sloan
Architect: Gromatzky Dupree & Associates

Park Lane is not your typical New Urbanist enclave. There is no tinge of nostalgia to the buildings, no sense of a walk down memory lane, nor the feel of a backdrop to a 1920s movie. Instead, crisp lines, angular building shapes, and modernist glass cubes are gathered along the familiar form of a street. Taken together, it is a project that manifests an interest in distinguishing urban design concepts from building style.

Steve Hinds Photography
Page 54

A Work in Progress

by: Kevin Sloan
Architect: Good Fulton & Farrell Architects

Park Lane is not your typical New Urbanist enclave. There is no tinge of nostalgia to the buildings, no sense of a walk down memory lane, nor the feel of a backdrop to a 1920s movie. Instead, crisp lines, angular building shapes, and modernist glass cubes are gathered along the familiar form of a street. Taken together, it is a project that manifests an interest in distinguishing urban design concepts from building style.

Craig D. Blackmon, FAIA
Page 54

Studio Awards 2010

by: Stephen Sharpe

On July 16, a jury of three Arizona architects met in Phoenix to selecte unbuilt projects for honors in the 2010 TSA Studio Awards. The jury chose four entries from 80 submittals. The awarded projects are featured on the following pages, along with comments from the jury.

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Worst-Case Scenario

by: Stephen Sharpe

For the past four years, the members of AIA Austin have volunteered their time to teach elementary school students in their area about architecture. Their most recent efforts culminated in November with displays at UT Austin of models the kids devised to illustrate the lessons they have learned. This year’s program reached more than 315 students from third, fourth, and fifth grades.

John Cameron, Assoc. AIA
Page 5

Clyde Porter Receives AIA Young Award

by: Stephen Sharpe

For his efforts to encourage minority, under-served, and low-income students to pursue careers as architects, the American Institute of Architects’ Board of Directors has selected Clyde Porter, FAIA, as the 2009 recipient of the Whitney M. Young Jr. Award.

Page 10

Accessibility Exercise in Dallas Opens Eyes to New Perspective

by: Walter Kilroy, AIA

Have you ever wondered what it feels like to ask people in a restaurant to move from their seats so you can get to the handicapped seating area? Ever thought what a ramp looks like to a person in a wheelchair?

top and bottom right by Will Rutledge; bottom right photo courtesy F&S Partners
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