Article Results for "Award"

5 Design Awards for AIA Northeast Texas

by: Brett Patrick, AIA

The Northeast Texas chapter of the AIA presented five design awards at its annual Christmas party and chapter meeting on Dec. 2. The winning projects for this biannual event were selected from a field of 18 entries representing seven firms.

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Andy Dekaney High School

by: Noelle Heinze
Architect: SHW Group

Andy Dekaney High School recently received the 2008 Caudill Award, the highest honor given in the TASA /TASB Exhibit of School Architecture. Based on findings that students perform better in small groups, “Instruction Should Drive Construction” was the guiding philosophy for SH W Group’s design of the 486,000-square-foothigh school sited on 80.7 acres in Houston’s Spring Independent School District.

Richard Payne, FAIA
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Parra Named 2009 AIA Young Architect

by: TA Staff

Camilo Parra, AIA, of Houston is among eight recipients of the 2009 AIA Young Architects Award. The national honor is presented to professionals who have been licensed 10 years or less regardless of their age.

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Pulse

Designed by Helen Pierce of PierceWorkshop in San Antonio, Pulse recently won the $8,000 DawnTown 2008 Award sponsored by the Miami Downtown Development Authority.

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AIA Awards Texas Housing Projects

Two projects by Texas firms are among the 17 residential buildings recognized in the 2009 AIA Housing Awards. The awards program, now in its ninth year, was established to recognize the best in housing design and promote the importance of good housing as a necessity of life, a sanctuary for the human spirit, and a valuable national resource.

Photos by (left) Hester & Hardaway and (right) Charles Davis Smith, AIA
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Lake/Flato’s Shangri La in Top Ten Green

Lake/Flato Architects’ Shangri La Botanical Gardens and Nature Center in Orange is among the Top Ten Green Projects for 2009 as recognized by the AIA’s Committee on the Environment (COTE). Each year the national award celebrates excellence in sustainable architecture and design solutions that protect and enhance the natural environment.

Photo by Hester + Hardaway
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TSA Design Awards Jury Selected

by: TA Staff

Three highly respected designers will judge the entries in the 2009 TSA Design Awards program. The jurors will be Philip Freelon, FAIA, president of the Freelon Group in Raleigh-Durham, N.C.; Mary Margaret Jones, FASLA, president of San Francisco-based landscape architecture firm Hargreaves Associates; and Rick Joy, AIA, of Rick Joy Architects in Tucson. The jury is set to meet May 15 in Austin.

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Hariri to Lead Studio Awards Jury

Gisue Hariri of Hariri & Hariri Architecture in New York City, has been selected to lead the 2009 Texas Society of Architects Studio Awards jury. This year’s TSA Studio Awards will be judged separately from the Design Awards, and the deadline for entries has been set later in the year to encourage more students to participate in the competition.

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AIA Houston Recognizes 12 Projects

by: Christian Sheridan

AIA Houston honored 12 projects at its 53rd annual Design Awards Dinner held on March 26 at the Rice Hotel’s Crystal Ballroom. Winners were selected from 115 entries in six categories: architecture, residential architecture, interior architecture, renovation/restoration, urban design, and on the boards.

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Vision 2030: West Dallas Gateway

Recognized with a 2009 Great Places Award, co-sponsored by the Environmental Design Research Association and Metropolis magazine, the West Dallas Gateway suggests redevelopment strategies for a blighted, post-industrial area of the city.

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AIA Austin Awards 15 Projects

by: Rick Price

On April 18, AIA Austin recognized 15 projects at its 2009 Design Awards Gala held at the historic Browning Hangar on the redeveloped grounds of former Mueller Municipal Airport. Of the 115 submitted projects, 14 received Design Awards and one received a Studio Award.

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Fierce Competition

by: Stephen Sharpe

The effects of the economic downturn are now clearly apparent across the state. The evidence is rendered in less-than-optimistic forecasts as firms cautiously plan for 2010. The recession is brought into sharper relief when compared with the robust business climate enjoyed by design professionals for a decade prior to last year’s fourth quarter.

Photo courtesy University Health Syst em
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TSA 25-Year Award Recognizes Parker Chapel on Trinity Campus

by: Stephen Sharpe

The Margarite B. Parker Chapel is essentially unchanged since completed in 1966, a pink-brick Romanesque duomo at the spiritual center of O’Neil Ford’s idealized hill-town campus of Trinity University.

left Photo by W. Eu gene George, FAIA ; right photo courtesy ford powell & carson
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AIA Brazos Awards 3 Projects

by: J.P. Grom, AIA

AIA Brazos held a jury on Aug. 6 for the chapter’s biannual design awards program. Jurors included Dror Baldinger, AIA, of Marmon Mok Architects, Brantley Hightower, AIA, of Lake/Flato Architects and Stephen Sharpe, the editor of Texas Architect. From a total of nine projects submitted, the jury selected three for recognition.

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Design Awards 2009

The 2009 TSA Design Awards jury met in Austin on May 15 to view 261 submittals of built work. The jurors were Mary Margaret Jones, FASLA, of Hargreaves Associates (San Francisco, Cambridge, and New York); Rick Joy, AIA, of Rick Joy Architects (Tucson); and Philip Freelon, FAIA, of the Freelon Group (Durham, N.C.)

Illustrations by Bryce Weigand
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Eclectic Ensemble

by: Lawrence Connolly
Architect: Dick Clark Architecture with Michael Hsu Design Office

When Antoine Predock, FAIA, was in midst of conceiving the new Austin City Hall, he commented that the city was “terminally democratic.” He made the remark after his design survived a protracted review process that included more than a dozen town meetings and hearings before the City Council. A similar sort of public scrutiny – albeit on a smaller, neighborhood scale – resulted when Dick Clark Architecture added a zoning non-compliant residential building to its 1400 South Congress mixed-use project.

Paul Bardagjy; Illustration by Bryce Weigand
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Terminal Clarity

by: Gregory Ibanez
Architect: Corgan with HKS and HNTB

Discussing Dallas Fort Worth International Airport Terminal D and its selection for a 2009 TSA Design Award, juror Philip Freelon, FAIA, said, “We thought that the project was a very good example of a public building, very prominent, but it still was handled with quite some sensitivity. We all have been in airports, probably more than we’d like, and this is one where you actually feel a sense of light and airy space, which is relaxing. Natural light was well used, and the high volume of the space gives it an open and comfortable feeling. We thought it was well worthy of an award.”

Craig Blackmon, FAIA; Illustration by Bryce Weigand
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A Sonnet to Dwell In

by: Eurico R. Francisco
Architect: Buchanan Architecture

The area just north of downtown Dallas known as Oak Lawn is rich and diverse in demographics, land use, and building types. Having matured over time, Oak Lawn has evolved into a neighborhood of restaurants, churches, hotels, offices, and a varied assemblage of residential buildings.

Jason Franzen; Illustration by Bryce Weigand
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Garden Spot

by: Michael Malone
Architect: Cunningham Architects

From the street Cunningham Architects’ House in the Garden is a beautifully conceived and executed object, partially shielded behind an iconic wall constructed of stainless-steel wire grid and filled with fragments of slag glass. This idealized garden villa – really a giant porch – provides a delightful way to both view and inhabit a highly personalized landscape. It’s a thoughtful and well organized bit of place making; surprisingly its greatest success is as a foil and extension of an outdoor space that was originally part of the adjacent house.

James F. Wilson, Gisela Borghi; Illustration by Bryce Weigand
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Concrete Poetry

by: Jeffrey Brown, AIA
Architect: Elliott + Associates Architects

This word painting by Rand Elliott, FAIA, explains how he wants people to understand his latest award-winning project, ImageNet of Houston. Employing poetry or manifestoes to describe one’s work is not uncommon these days. Indeed, such material appears to be a prerequisite of the current media culture that promotes “starchitects,” “signature architects,” and one-hit wonders. Supportive text is, we are led to believe, required reading. If a building appears mundane, baffling, or otherwise underwhelming, just refer to the narrative. Within the architect’s words, we are told, lies the true meaning which will assure in our prosaic times that, yes, this is Architecture.

Scott McDonald, Hedrich Blessing; Illustration by Bryce Weigand
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Haven for Art

by: Stephen Sharpe
Architect: Laguarda Low Architects

Once just another nondescript, single-story building indistinguishable from its neighbors that together comprise a light-industrial district wedged between downtown Dallas and the Trinity River, the Light & Sie Art Gallery now stands out. The reconfigured entry, framed by a box of aluminum panels, asserts a refined presence that quietly commands attention amid the clutter of storefronts along Leslie Street on the city’s near-west side. The 13,000-sf project is one of the latest examples in a transformative trend for the area where a few of the shopworn buildings have been repurposed as showrooms for the design trade and retail galleries for contemporary art.

Charles Davis Smith, AIA; Illustration by Bryce Weigand
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Elegant Tribute

by: Geof Edwards
Architect: Poteet Architects

Approaching the Linda Pace Foundation from the east, visitors are confronted with a strikingly graphic text piece on the building’s canvas-like facade, a short poem by Daniel Edgar Martinez: “beauty…it rubs against one’s tongue, it hangs there, hurting one, insisting on its own existence, finally it gets so one cannot stand the pain, then one must have beauty extracted.” It’s an “in your face” message that transcends its purpose as a public art piece and could describe the transformation of a derelict 1940sera auto paint shop into what is now the subtle and powerful beauty of the Linda Pace Foundation.

Chris Cooper Photography; Illustration by Bryce Weigand
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Folia Fictus

by: Jenny Kiel
Architect: Dillon Kyle Architecture

Once the site of an identical apartment building as the building the gallery now inhabits, is where the designers Dillon Kyle and Cedar Baldridge imagined a parking lot built for the artists of the gallery. The parking lot is actually used more by the guests and owners of the gallery but it makes a nod to the artwork inside. It is a unique integration of art, landscape, and function.

Casey Dunn Photography; Illustration by Bryce Weigand
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Cross-Cultural Delight

by: Rick Lewis
Architect: Jackson & Ryan Architects

Although San Antonio’s iconic settings are significant especially when weighed for their economic benefits to Texas’ third largest city, the broader story of her heritage, traditions and, most importantly, her people is to be found in quarters beyond the shadows of high-rise downtown hotels.

Mark Scheyer/Houston; Illustration by Bryce Weigand
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Inspired Display

by: Stephen Sharpe
Architect: Overland Partners

Aglow at night like a gigantic Chinese paper lantern, the Lenora and Walter F. Brown Asian Art Wing, designed by Overland Partners of San Antonio, inserts a luminous minimalism into the crenellated, century-old former Lone Star Brewery that houses the San Antonio Museum of Art. The architects have maintained the subtle rhythms of the circa-1900 brewery while deftly introducing a sleek, modern horizontal complement to the venerable, vertical brick structure.

Paul Bardagjy Photography, Terry Manning Photography; Illustration by Bryce Weigand
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