Article Results for "Award"

Cinco Camp

by: Ed Soltero
Architect: Rhotenberry Wellen Architects

When Malcolm McLean devised the now-ubiquitous metal shipping container in the 1950s, his idea transformed the cargo transport business. The movement of goods on a global scale was greatly facilitated by what became known as inter-modal steel building units.

Hester + Hardaway
Page 36

Grauwyler Park Branch Library

by: Gregory Ibanez
Architect: Oglesby Greene

In a famous Letter to the Editor in Architectural Record, architect Andres Duany labeled the four types of architectural consumers—patrons, clients, customers, and martyrs. Although he was writing in reference to housing, let’s (with apologies to Mr. Duany) apply the same categories to municipal architecture.

Charles Davis Smith, AIA; Kristin Winters, AIA
Page 40

The Lance Armstrong Foundation Headquarters

by: Noelle Heinze
Architect: Lake/Flato Architects in collaboration with the Bommarito Group

Entering the Lance Armstrong Foundation (Livestrong) headquarters is an exercise in transition—from busy streetscape through serene garden to an open, sunlit interior. Transition also characterizes the conversion of the 1950s-era warehouse into the Livestrong offices, considering that a wide variety of the project’s materials were salvaged from the original structure.

Casey Dunn; Paul Hester
Page 44

La Lomita Chapel Restoration

by: Michael E. Allex
Architect: Kell Muñoz

Upon hi s death in 1861, a French merchant from Reynosa named Rene Guyard, bequeathed a tract of land along the Rio Grande near present-day Mission to two Catholic priests “for the propagation of the faith among the barbarians.” Thus began the 150-year history of La Lomita Chapel as a rendezvous point for Oblate missionaries in their travels through the wild borderlands.

Rebecca Rivera; MPC Studios; Nicki Martinez
Page 48

Mod Cott: Guest House

by: Murray Legge, AIA
Architect: Mell Lawrence Architects

A view of the limitless horizon can have a transforming effect. Watching the landscape stretch out across miles can cast a spell over even the most world-weary, especially from a high point where one is transfixed by the subtly shifting light over a wide space, cloud shadows cast across the land, a wild storm approaching from afar.

Mell Lawrence, FAIA; Jacob Termansen
Page 52

PSU Overlook Pavilion

by: Sean Burkholder
Architect: Overland Partners Architects

Integrating architecture into any given context while maintaining design integrity is a fine art. Architects must constantly walk the line between over- or under-contextualizing a building to support its strength as a unique entity within its environment. Somewhere between total disregard to surroundings and cliché facsimiles of geologic or biologic imagery, a good architect can find a project’s meaning without being overt. Such sought-after balance has been gracefully achieved by Overland Partners with the firm’s new Overlook Pavilion at Penn State University.

Jeffrey Totaro
Page 56

Pearl Stable

by: Douglas Lipscomb, AIA
Architect: Ford, Powell & Carson Architects and Planners

Upon seeing the renovated Pearl Stable one can fully appreciate how past generations respected even the most prosaic of structures. The stable building was originally constructed in 1894 to house the horses that pulled the beer wagons of the Pearl Brewing Company. The elegance of the original two-story, elliptical structure derives from the simplicity of its plan – with horse stalls arranged on the ground floor around its perimeter and its core – and the richness of the corbelled and patterned brick on the exterior. The second floor served as the hay loft from which feed could be dropped through the chutes to the horses below. At the center of the roof was a handsome cupola that provided ventilation to the stables.

Paul Bardagjy
Page 60

Sid W. Richardson Visual Arts Center

by: Rebecca Boles
Architect: Gideon Toal

Fort Worth Country Day ha s the cache t of bei ng one of the premier college preparatory programs in North Texas. In existence since 1963, Fort Worth Country Day offers K-12 instruction on its campus in southwest Fort Worth. Students become accustomed to the feel of a college campus as they change classes and circulate among separate academic buildings throughout the school day. Covered walkways, an abundance of trees, and landscaping with mature plantings are evidence that the school’s leadership sees the importance of an appropriate setting in creating an environment for learning.

Craig Kuhner
Page 64

Stone Creek Camp

by: Stephen Sharpe
Architect: Andersson-Wise Architects

“Beauty alone doesn’t hold your interest for very long. You want things to be a little… scary. But the kind of awe that derives from nature is extraordinarily tranquil.” So muses Arthur Andersson, AIA, in the recently published Natural Houses that features several projects designed by Andersson-Wise Architects, the Austin firm led by him and Chris Wise, AIA. Prominently showcased in the book is Stone Creek Camp, a backwoods hideaway built on a ridge overlooking Flathead Lake in rural northwestern Montana. The elegantly rusticated encampment comprises eight small buildings strategically arrayed across the steeply sloping site, each positioned to foster an individual and collective sense of refuge.

Art Gray
Page 68

GSA Regional Field Office

by: Filo Castore
Architect: Leo A Daly/LAN + PageSoutherlandPage; A Joint Venture

Rising above congested freeways, oversized houses, and drab strip malls, a new architectural landmark has been added to Houston’s horizon. A product of the General Service Administration’s Design Excellence Program, the austere and impressive governmental GSA Regional Field Office emerges from the nondescript suburban landscape with its simple form and emerald skin.

Tim Hursley
Page 72

East Windsor Residence

by: Ingrid Spencer
Architect: alterstudio architects

According to Kevin Alter, the 4,200-sf, three -story East Windsor Residence is essentially a one-bedroom loft because the top floor “has all the pleasures and attributes of a penthouse and then it expands down to give you all this other stuff.” The project was designed by Alter, along with alterstudio architects co-principal Ernesto Cragnolino, AIA, with a focus on the third level, which boasts 270-degree views and contains the master suite, kitchen, and main living area. But the “other stuff” found on the remaining two levels completes this finely crafted house in dynamic and dramatic ways.

Paul Finkel; Jonathan Jackson
Page 76

TSA Announces 2010 Honor Awards

by: Noelle Heinze

During its 71st annual convention in San Antonio, Oct. 14-16, the Texas Society of Architects recognized the following as this year’s Honor Award recipients for significant contributions to the architectural profession and the quality of the built environment.

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Firm Award Goes to Overland Partners

by: TA Staff

In recognition of its distinguished architecture and significant contributions to the architectural profession and the community, Overland Partners Architects of San Antonio was presented with the 2010 TSA Architecture Firm Award on Oct. 15 during the Texas Society of Architects/AIA convention.

Page 15

Another Peterson Prize for UTSA

by: Stephen Sharpe

A project by architecture students at the University of Texas at San Antonio to document the Heermann Store, a single-story commercial building erected in 1892 in rural southwest Bexar County, has been recognized with a 2010 Charles E. Peterson Prize.

UTSA Collecge of Architecture
Page 19

AIA Dallas Selects Award Winners

by: Brian William Kuper, AIA

Two juries – one judging the built projects and another the unbuilt – for AIA Dallas’ 2010 Design Awards program presented 16 awards following deliberations in late September at the Dallas Center for Architecture. A total of 117 submittals, 74 built and 43 unbuilt, were entered by members of the local chapter.

Page 23

NE Texas Awards Six Projects

by: TA Staff

Six projects by members of AIA Northeast Texas were recognized in the chapter’s 2010 Design Awards program. Jurors viewed a total of 15 entries before making their selections on Oct. 14 at the Center for Architecture in San Antonio.

Page 25

Studio Awards 2010

by: Stephen Sharpe

On July 16, a jury of three Arizona architects met in Phoenix to selecte unbuilt projects for honors in the 2010 TSA Studio Awards. The jury chose four entries from 80 submittals. The awarded projects are featured on the following pages, along with comments from the jury.

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Studio Awards 2010


Architect: Max Levy, FAIA

Color Clock House was conceived as a speculative house for a developer of an enclave of sustainable homes in Dallas.

Page 29

Studio Awards 2010


Architect: student s of Architecture Design VI Studio at Prairie View A&M School of Architecture

Page 30

Studio Awards 2010


Architect: C. Graham Beach , J . Brantley Hightower, aia, and Jennifer Young

The concept for edgeHouse explores the architectural potential of a house that fully exploits the unique social and environmental dualities of Marfa.

Page 31

Studio Awards 2010


Architect: Bengie Daniels, AIA, Derek Keck , Jon Gately, and Michael Day

Pegboard is a sustainable and expandable shelter for the people in the African nation of Ghana.

Page 32

Clyde Porter Receives AIA Young Award

by: Stephen Sharpe

For his efforts to encourage minority, under-served, and low-income students to pursue careers as architects, the American Institute of Architects’ Board of Directors has selected Clyde Porter, FAIA, as the 2009 recipient of the Whitney M. Young Jr. Award.

Page 10

AIA El Paso Awards 7 Projects

by: Fred Perez, AIA

The jury in AIA El Paso’s 2008 awards program recognized seven projects for design excellence. From more than 25 entries submitted in four categories – commercial, interiors, residential, and future projects – the jury presented two Honor Awards, four Merit Awards, and one Honorable Mention.

Page 16

AIA San Antonio Presents Design Awards

by: AIA San Antonio Staff

After jurors carefully evaluated 53 entries from 20 local architectural firms and one individual AIA member, the AIA San Antonio chapter announced the winners of its 2008 Design Awards. A total of 13 projects were recognized with awards in early November. Kell Muñoz topped the list with five awards.

Page 18

AIA Fort Worth Awards Nine Projects

by: Bart Shaw

The jury for AIA Fort Worth’s 2008 Design Awards convened Oct. 14 at the Modern Art Museum of Fort Worth where they sifted through 40 projects before selecting nine for distinction.

Page 20

5 Design Awards for AIA Northeast Texas

by: Brett Patrick, AIA

The Northeast Texas chapter of the AIA presented five design awards at its annual Christmas party and chapter meeting on Dec. 2. The winning projects for this biannual event were selected from a field of 18 entries representing seven firms.

Page 22

Andy Dekaney High School

by: Noelle Heinze
Architect: SHW Group

Andy Dekaney High School recently received the 2008 Caudill Award, the highest honor given in the TASA /TASB Exhibit of School Architecture. Based on findings that students perform better in small groups, “Instruction Should Drive Construction” was the guiding philosophy for SH W Group’s design of the 486,000-square-foothigh school sited on 80.7 acres in Houston’s Spring Independent School District.

Richard Payne, FAIA
Page 69

Parra Named 2009 AIA Young Architect

by: TA Staff

Camilo Parra, AIA, of Houston is among eight recipients of the 2009 AIA Young Architects Award. The national honor is presented to professionals who have been licensed 10 years or less regardless of their age.

Page 10

Pulse

Designed by Helen Pierce of PierceWorkshop in San Antonio, Pulse recently won the $8,000 DawnTown 2008 Award sponsored by the Miami Downtown Development Authority.

Page 22

AIA Awards Texas Housing Projects

Two projects by Texas firms are among the 17 residential buildings recognized in the 2009 AIA Housing Awards. The awards program, now in its ninth year, was established to recognize the best in housing design and promote the importance of good housing as a necessity of life, a sanctuary for the human spirit, and a valuable national resource.

Photos by (left) Hester & Hardaway and (right) Charles Davis Smith, AIA
Page 12

Lake/Flato’s Shangri La in Top Ten Green

Lake/Flato Architects’ Shangri La Botanical Gardens and Nature Center in Orange is among the Top Ten Green Projects for 2009 as recognized by the AIA’s Committee on the Environment (COTE). Each year the national award celebrates excellence in sustainable architecture and design solutions that protect and enhance the natural environment.

Photo by Hester + Hardaway
Page 12

TSA Design Awards Jury Selected

by: TA Staff

Three highly respected designers will judge the entries in the 2009 TSA Design Awards program. The jurors will be Philip Freelon, FAIA, president of the Freelon Group in Raleigh-Durham, N.C.; Mary Margaret Jones, FASLA, president of San Francisco-based landscape architecture firm Hargreaves Associates; and Rick Joy, AIA, of Rick Joy Architects in Tucson. The jury is set to meet May 15 in Austin.

Page 17

Hariri to Lead Studio Awards Jury

Gisue Hariri of Hariri & Hariri Architecture in New York City, has been selected to lead the 2009 Texas Society of Architects Studio Awards jury. This year’s TSA Studio Awards will be judged separately from the Design Awards, and the deadline for entries has been set later in the year to encourage more students to participate in the competition.

Page 17

AIA Houston Recognizes 12 Projects

by: Christian Sheridan

AIA Houston honored 12 projects at its 53rd annual Design Awards Dinner held on March 26 at the Rice Hotel’s Crystal Ballroom. Winners were selected from 115 entries in six categories: architecture, residential architecture, interior architecture, renovation/restoration, urban design, and on the boards.

Page 18

Vision 2030: West Dallas Gateway

Recognized with a 2009 Great Places Award, co-sponsored by the Environmental Design Research Association and Metropolis magazine, the West Dallas Gateway suggests redevelopment strategies for a blighted, post-industrial area of the city.

Page 22

AIA Austin Awards 15 Projects

by: Rick Price

On April 18, AIA Austin recognized 15 projects at its 2009 Design Awards Gala held at the historic Browning Hangar on the redeveloped grounds of former Mueller Municipal Airport. Of the 115 submitted projects, 14 received Design Awards and one received a Studio Award.

Page 17

Fierce Competition

by: Stephen Sharpe

The effects of the economic downturn are now clearly apparent across the state. The evidence is rendered in less-than-optimistic forecasts as firms cautiously plan for 2010. The recession is brought into sharper relief when compared with the robust business climate enjoyed by design professionals for a decade prior to last year’s fourth quarter.

Photo courtesy University Health Syst em
Page 7

TSA 25-Year Award Recognizes Parker Chapel on Trinity Campus

by: Stephen Sharpe

The Margarite B. Parker Chapel is essentially unchanged since completed in 1966, a pink-brick Romanesque duomo at the spiritual center of O’Neil Ford’s idealized hill-town campus of Trinity University.

left Photo by W. Eu gene George, FAIA ; right photo courtesy ford powell & carson
Page 15

AIA Brazos Awards 3 Projects

by: J.P. Grom, AIA

AIA Brazos held a jury on Aug. 6 for the chapter’s biannual design awards program. Jurors included Dror Baldinger, AIA, of Marmon Mok Architects, Brantley Hightower, AIA, of Lake/Flato Architects and Stephen Sharpe, the editor of Texas Architect. From a total of nine projects submitted, the jury selected three for recognition.

Page 27

Design Awards 2009

The 2009 TSA Design Awards jury met in Austin on May 15 to view 261 submittals of built work. The jurors were Mary Margaret Jones, FASLA, of Hargreaves Associates (San Francisco, Cambridge, and New York); Rick Joy, AIA, of Rick Joy Architects (Tucson); and Philip Freelon, FAIA, of the Freelon Group (Durham, N.C.)

Illustrations by Bryce Weigand
Page 39

Eclectic Ensemble

by: Lawrence Connolly
Architect: Dick Clark Architecture with Michael Hsu Design Office

When Antoine Predock, FAIA, was in midst of conceiving the new Austin City Hall, he commented that the city was “terminally democratic.” He made the remark after his design survived a protracted review process that included more than a dozen town meetings and hearings before the City Council. A similar sort of public scrutiny – albeit on a smaller, neighborhood scale – resulted when Dick Clark Architecture added a zoning non-compliant residential building to its 1400 South Congress mixed-use project.

Paul Bardagjy; Illustration by Bryce Weigand
Page 40

Terminal Clarity

by: Gregory Ibanez
Architect: Corgan with HKS and HNTB

Discussing Dallas Fort Worth International Airport Terminal D and its selection for a 2009 TSA Design Award, juror Philip Freelon, FAIA, said, “We thought that the project was a very good example of a public building, very prominent, but it still was handled with quite some sensitivity. We all have been in airports, probably more than we’d like, and this is one where you actually feel a sense of light and airy space, which is relaxing. Natural light was well used, and the high volume of the space gives it an open and comfortable feeling. We thought it was well worthy of an award.”

Craig Blackmon, FAIA; Illustration by Bryce Weigand
Page 44

A Sonnet to Dwell In

by: Eurico R. Francisco
Architect: Buchanan Architecture

The area just north of downtown Dallas known as Oak Lawn is rich and diverse in demographics, land use, and building types. Having matured over time, Oak Lawn has evolved into a neighborhood of restaurants, churches, hotels, offices, and a varied assemblage of residential buildings.

Jason Franzen; Illustration by Bryce Weigand
Page 48

Garden Spot

by: Michael Malone
Architect: Cunningham Architects

From the street Cunningham Architects’ House in the Garden is a beautifully conceived and executed object, partially shielded behind an iconic wall constructed of stainless-steel wire grid and filled with fragments of slag glass. This idealized garden villa – really a giant porch – provides a delightful way to both view and inhabit a highly personalized landscape. It’s a thoughtful and well organized bit of place making; surprisingly its greatest success is as a foil and extension of an outdoor space that was originally part of the adjacent house.

James F. Wilson, Gisela Borghi; Illustration by Bryce Weigand
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Concrete Poetry

by: Jeffrey Brown, AIA
Architect: Elliott + Associates Architects

This word painting by Rand Elliott, FAIA, explains how he wants people to understand his latest award-winning project, ImageNet of Houston. Employing poetry or manifestoes to describe one’s work is not uncommon these days. Indeed, such material appears to be a prerequisite of the current media culture that promotes “starchitects,” “signature architects,” and one-hit wonders. Supportive text is, we are led to believe, required reading. If a building appears mundane, baffling, or otherwise underwhelming, just refer to the narrative. Within the architect’s words, we are told, lies the true meaning which will assure in our prosaic times that, yes, this is Architecture.

Scott McDonald, Hedrich Blessing; Illustration by Bryce Weigand
Page 56

Haven for Art

by: Stephen Sharpe
Architect: Laguarda Low Architects

Once just another nondescript, single-story building indistinguishable from its neighbors that together comprise a light-industrial district wedged between downtown Dallas and the Trinity River, the Light & Sie Art Gallery now stands out. The reconfigured entry, framed by a box of aluminum panels, asserts a refined presence that quietly commands attention amid the clutter of storefronts along Leslie Street on the city’s near-west side. The 13,000-sf project is one of the latest examples in a transformative trend for the area where a few of the shopworn buildings have been repurposed as showrooms for the design trade and retail galleries for contemporary art.

Charles Davis Smith, AIA; Illustration by Bryce Weigand
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Elegant Tribute

by: Geof Edwards
Architect: Poteet Architects

Approaching the Linda Pace Foundation from the east, visitors are confronted with a strikingly graphic text piece on the building’s canvas-like facade, a short poem by Daniel Edgar Martinez: “beauty…it rubs against one’s tongue, it hangs there, hurting one, insisting on its own existence, finally it gets so one cannot stand the pain, then one must have beauty extracted.” It’s an “in your face” message that transcends its purpose as a public art piece and could describe the transformation of a derelict 1940sera auto paint shop into what is now the subtle and powerful beauty of the Linda Pace Foundation.

Chris Cooper Photography; Illustration by Bryce Weigand
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Folia Fictus

by: Jenny Kiel
Architect: Dillon Kyle Architecture

Once the site of an identical apartment building as the building the gallery now inhabits, is where the designers Dillon Kyle and Cedar Baldridge imagined a parking lot built for the artists of the gallery. The parking lot is actually used more by the guests and owners of the gallery but it makes a nod to the artwork inside. It is a unique integration of art, landscape, and function.

Casey Dunn Photography; Illustration by Bryce Weigand
Page 68

Cross-Cultural Delight

by: Rick Lewis
Architect: Jackson & Ryan Architects

Although San Antonio’s iconic settings are significant especially when weighed for their economic benefits to Texas’ third largest city, the broader story of her heritage, traditions and, most importantly, her people is to be found in quarters beyond the shadows of high-rise downtown hotels.

Mark Scheyer/Houston; Illustration by Bryce Weigand
Page 72

Inspired Display

by: Stephen Sharpe
Architect: Overland Partners

Aglow at night like a gigantic Chinese paper lantern, the Lenora and Walter F. Brown Asian Art Wing, designed by Overland Partners of San Antonio, inserts a luminous minimalism into the crenellated, century-old former Lone Star Brewery that houses the San Antonio Museum of Art. The architects have maintained the subtle rhythms of the circa-1900 brewery while deftly introducing a sleek, modern horizontal complement to the venerable, vertical brick structure.

Paul Bardagjy Photography, Terry Manning Photography; Illustration by Bryce Weigand
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