Article Results for "ARE"

Waller Creek Master Plan

“Tailor the District,” a concept for reinvigorating a downtrodden corner of downtown Austin, uses Waller Creek as the central seam around which patches of social fabric (i.e., places of local commerce, open space, and entertainment venues) are stitched together by a unified circulation network.

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Defense Redesigned

by: Steven Land Tillotson

British historian Arnold J. Toynbee observed that the border of an enlightened and ascendant civilization is a fluid zone of contact. But, he cautioned, when its power of self-determination and its creative influence upon neighbors wane so does the mutual cooperation and communication shared with those neighbors until hostility transforms the border into a rigid military line.

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Extremes on the High Plains

by: Mason Rogers

On the High Plains, dealing with extremes comes with the territory. Tell a northerner you are from the Texas Panhandle and they will ask how you ever survive the heat. A southerner will pity you for having to live on the frozen tundra. While summers can be scorching hot and winter snowfall can pile up unexpectedly, the High Plains – unlike everywhere else in Texas – enjoys four seasons.

Mason Rogers , AIA
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A Really Big Room

Cowboys Stadium is the largest column-free space in the world—a feat that allows clear sightlines to the playing field from every seat in the house. That achievement is made possible by a pair of gray steel arches, composed of 17x35-foot box trusses made of high-strength steel forged in Luxemburg, that extends the entire 1,225-foot length of the structure. The longest single-span arches ever built, they reach beyond the stadium walls and are buttressed by four angled, solid-concrete plinths that partially support the 660,800-sf dome weighing 14,100 tons.

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Environmental Impact

David Heymann concedes that the house is indeed very large, yet he is quick to point out the designs sustainable attributes. “It’s not smart growth, but its smarter to have one very big house than a dozen big houses,” he says. “Such houses are inevitable, and ignoring them for scalar impropriety does not resolve their environmental consequence.”

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Living High on the Coast

by: Stephen Sharpe
Architect: Michael G. Imber, Architect

Though ravaged by periodic hurricanes and economic doldrums for over a century, much of Galveston’s magnificent architecture survives. The island city’s glory days, the three decades that preceded the devastating storm of 1900, are recalled in its richly detailed commercial edifices and stately Victorian-era homes.

Coastal Living
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by: Noelle Heinze
Architect: Sprinkle & Co. Architects (formerly Sprinkle Robey Architects)

Designed by Sprinkle & Co. Architects and completed in 2008, Silo’s second San Antonio location occupies 8,900 square feet and two floors within a suburban retail development. The owners requested that the architects preserve but also refresh the restaurant’s identity.

Chris Cooper; Paul Hester
Page 58

Paggi House

by: Noelle Heinze
Architect: J Square Architecture

Sited on a bluff overlooking Austin’s downtown skyline and Lady Bird Lake, the Paggi House recently underwent renovations that restore the original 1840s structure while adding a contemporary twist. Re-imagined by J Square Architecture, the 5,523-sf restaurant, which once served as an inn and a family home, gained a new roof, outdoor bar/dining space, restroom, and office.

J Square Architecture; Rebecca Fondren Photography
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August E’s

by: Noelle Heinze
Architect: Mustard Design

August E’s was an established restaurant in need of a new location. In 2008, the business moved to an existing building one block off historic Main Street in Fredericksburg. Designed by Andrew E. Bray of Mustard Design, the project injected new life into a 4,900-sf structure that previously housed a 1950s automotive repair shop and later a furniture warehouse.

Green Dog Pictures
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Intentional Grounding

by: Stephen Sharpe

Texas St adium collapsed on April 11 in a well-executed implosion detonated at 7:08 a.m. that ended a storied 37-year career as the home of the Dallas Cowboys. In less than 30 seconds and before more than 20,000 witnesses, a spectacular series of blasts from 2,715 lbs. of explosives reduced the 65,675-seat arena to rubble.

The City of Irving
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The Collector

The Collector, a conceptual project by Brendan O’Grady, AIA, of RTKL Associates in Dallas, is a mixed-use development imagined for construction in Shanghai. Planned to encompass more than 2.7 million square feet, the project is “designed to harness the energy of business, culture, and nature.”

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ADA @ 20

by: Brion Sargent, AIA

Civil rights movements in America are as varied as the people they serve to protect, each group seeking justice or parity for those overlooked by the political establishment. Often unpopular in their initial stages, such movements have transformed our society and over time their triumphs have come to be accepted as integral to our social fabric.

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by: Mort Levy, FAIA

Following the devastation of Hurricane Ike in September 2008, an engineer emerged from under the battered substructure of Galveston’s First Presbyterian Church to apprise Rev. David Green of the damage. “Pastor, your church has no foundation,” he said, apparently without thinking his statement’s underlying irony. Yes, perhaps its structural foundation was in need of repair, but the spiritual foundation of First Presbyterian, a survivor of more than a century of catastrophic weather events, has never weakened.

(Above) Photo Courtesy Library of Congress, LC-US Z62-126820 DLC, Prints & Photographs Division, HABS LC-US Z62 -126820 (Below) ‘Ike’ photo Courtesy FEMA; ‘1900’ Photo Courtesy Library of Congress, Prints & Photographs Division, HABS LC-US Z62-120220
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The Lance Armstrong Foundation Headquarters

by: Noelle Heinze
Architect: Lake/Flato Architects in collaboration with the Bommarito Group

Entering the Lance Armstrong Foundation (Livestrong) headquarters is an exercise in transition—from busy streetscape through serene garden to an open, sunlit interior. Transition also characterizes the conversion of the 1950s-era warehouse into the Livestrong offices, considering that a wide variety of the project’s materials were salvaged from the original structure.

Casey Dunn; Paul Hester
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PSU Overlook Pavilion

by: Sean Burkholder
Architect: Overland Partners Architects

Integrating architecture into any given context while maintaining design integrity is a fine art. Architects must constantly walk the line between over- or under-contextualizing a building to support its strength as a unique entity within its environment. Somewhere between total disregard to surroundings and cliché facsimiles of geologic or biologic imagery, a good architect can find a project’s meaning without being overt. Such sought-after balance has been gracefully achieved by Overland Partners with the firm’s new Overlook Pavilion at Penn State University.

Jeffrey Totaro
Page 56

Sid W. Richardson Visual Arts Center

by: Rebecca Boles
Architect: Gideon Toal

Fort Worth Country Day ha s the cache t of bei ng one of the premier college preparatory programs in North Texas. In existence since 1963, Fort Worth Country Day offers K-12 instruction on its campus in southwest Fort Worth. Students become accustomed to the feel of a college campus as they change classes and circulate among separate academic buildings throughout the school day. Covered walkways, an abundance of trees, and landscaping with mature plantings are evidence that the school’s leadership sees the importance of an appropriate setting in creating an environment for learning.

Craig Kuhner
Page 64

East Windsor Residence

by: Ingrid Spencer
Architect: alterstudio architects

According to Kevin Alter, the 4,200-sf, three -story East Windsor Residence is essentially a one-bedroom loft because the top floor “has all the pleasures and attributes of a penthouse and then it expands down to give you all this other stuff.” The project was designed by Alter, along with alterstudio architects co-principal Ernesto Cragnolino, AIA, with a focus on the third level, which boasts 270-degree views and contains the master suite, kitchen, and main living area. But the “other stuff” found on the remaining two levels completes this finely crafted house in dynamic and dramatic ways.

Paul Finkel; Jonathan Jackson
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The Perils of Substitutions - Part II

by: Jim Atkins, FAIA, and Grant A. Simpson, FAIA

Substitutions can carry many unbalanced risks for architects, but they are likely to endure, as we observed in Part I of this two-part series. The perceived positive results for owners and contractors will allow substitutions to prevail as a popular cost-reducing exercise, and architects will be expected to accept them and bear responsibility for their performance.

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TSA Convention Preview: Exhibitors

The Texas Society of Architects/AIA welcomes these exhibitors to the 2010 Expo in San Antonio (current list as of August 3rd). Expo dates are October 14-15 at the Henry B. Gonzalez Convention Center. Come to HALL A and visit their booths to learn more about new products and services. Check out who’s showing at this year’s Expo!

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Inside the Dome

by: Art Levy

As a tour guide at the Texas State Capitol, I’m constantly asked, “Are we going to go up to the very top?” The answer is always an unfortunate “No.” It pains me to have to quash such naked curiosity. We all cherish the thought of scaling and exploring heights, from a kid climbing trees to the adventurer conquering the tallest mountains. So it’s only natural that people should ask that question within five minutes of starting a tour. Skip the history, please: we want to go up there.

Library of Congress, Prints & Photographs Division, HABS TX-3326
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Worst-Case Scenario

by: Stephen Sharpe

In contrast to the photographs that illustrate the mixed-use projects profiled in this edition’s feature section, the University Park development in Austin is not a pretty picture. The owner’s ambitious plans for a high-density urban village on 23 acres along I-35 just north of downtown have fizzled, leaving a half-empty office building to stand alone amid an otherwise abandoned construction site. Tenants are angry, neighbors are frustrated, and everyone else is wondering how things went so wrong.

Roma Austin
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Bailey Honored for Lifetime Achievement

by: TA Staff

As a young man fresh off the farm and poised to begin his university studies, Ray Bailey couldn’t decide between architecture or commercial art as his future career. He had always liked to draw and saw things in three dimensions.

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Richard Ferrier, FAIA (1944-2010)

by: Ron Kent, AIA

Richard Ferrier’s life was like a series of his watercolors—transparent at first, then opaque, and finally transparent again as he shared his heart and soul to his students and friends. When painting, he would begin by masking off the borders and soaking the page with water. Then came the magic as he blended cobalt blue and yellow ochre, mixtures that would then bleed into the wet parchment and travel as the angle set by his hands allowed. His life was like that, a magical work of art created from a broad range of hues.

Craig Kuhner
Page 20

Romanian Adventure

by: J. Tom Ashley, FAIA

Sometime after midnight in May 2009, I arrived in the Romanian capital of Bucharest as part of the twenty-sixth group of Peace Corps volunteers to serve in this former Soviet bloc country. All 37 of us had met in Washington, D.C., for orientation before flying together overseas.

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by: Gregory Ibanez

On March 28, 2000, Fort Worth was struck by a powerful tornado that followed West Seventh Street from the west side into the heart of downtown. The rare urban twister caused over $450 million dollars of damage in just over 10 minutes, and the bent steel beams of a former billboard remain as testament to its power and capriciousness. Ten years later, West Seventh Street is a vastly different place, with new development creating an urban corridor linking two of the jewels of Fort Worth—downtown’s Sundance Square and the Cultural District.

renderings of Museum Place master plan and hotel by Corvin Matei; Kimbell Expansion rendering by Renzo Piano Building Workshop; Center for Architecture photo by Brandon Burns; Museum Place photos by Steve Hinds Photography; W 7th photo by Gene Fichte; Modern Art Museum photo by Joe Ak er
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Seasoned with History

by: J. Brantley Hightower
Architect: Darryl Ohlenbusch, AIA

In the 1920s, the area of San Antonio now know n as Southtown was a thriving and culturally diverse community just south of downtown. It was in the Italian-American enclave of this district where an industrious entrepreneur built a corner building with retail at street level and living quarters above.

Chris Cooper Photography
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A Work in Progress

by: Kevin Sloan
Architect: Gromatzky Dupree & Associates

Park Lane is not your typical New Urbanist enclave. There is no tinge of nostalgia to the buildings, no sense of a walk down memory lane, nor the feel of a backdrop to a 1920s movie. Instead, crisp lines, angular building shapes, and modernist glass cubes are gathered along the familiar form of a street. Taken together, it is a project that manifests an interest in distinguishing urban design concepts from building style.

Steve Hinds Photography
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A Work in Progress

by: Kevin Sloan
Architect: Good Fulton & Farrell Architects

Park Lane is not your typical New Urbanist enclave. There is no tinge of nostalgia to the buildings, no sense of a walk down memory lane, nor the feel of a backdrop to a 1920s movie. Instead, crisp lines, angular building shapes, and modernist glass cubes are gathered along the familiar form of a street. Taken together, it is a project that manifests an interest in distinguishing urban design concepts from building style.

Craig D. Blackmon, FAIA
Page 54

Studio Awards 2010

by: Stephen Sharpe

On July 16, a jury of three Arizona architects met in Phoenix to selecte unbuilt projects for honors in the 2010 TSA Studio Awards. The jury chose four entries from 80 submittals. The awarded projects are featured on the following pages, along with comments from the jury.

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Worst-Case Scenario

by: Stephen Sharpe

For the past four years, the members of AIA Austin have volunteered their time to teach elementary school students in their area about architecture. Their most recent efforts culminated in November with displays at UT Austin of models the kids devised to illustrate the lessons they have learned. This year’s program reached more than 315 students from third, fourth, and fifth grades.

John Cameron, Assoc. AIA
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Clyde Porter Receives AIA Young Award

by: Stephen Sharpe

For his efforts to encourage minority, under-served, and low-income students to pursue careers as architects, the American Institute of Architects’ Board of Directors has selected Clyde Porter, FAIA, as the 2009 recipient of the Whitney M. Young Jr. Award.

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Accessibility Exercise in Dallas Opens Eyes to New Perspective

by: Walter Kilroy, AIA

Have you ever wondered what it feels like to ask people in a restaurant to move from their seats so you can get to the handicapped seating area? Ever thought what a ramp looks like to a person in a wheelchair?

top and bottom right by Will Rutledge; bottom right photo courtesy F&S Partners
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AIA San Antonio Presents Design Awards

by: AIA San Antonio Staff

After jurors carefully evaluated 53 entries from 20 local architectural firms and one individual AIA member, the AIA San Antonio chapter announced the winners of its 2008 Design Awards. A total of 13 projects were recognized with awards in early November. Kell Muñoz topped the list with five awards.

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All Architecture, All the Time

by: Eagon Gleason

In the lab, we students are gathered in a tight group around Philip Johnson listening while he tells us of his recent visit to Taliesin West for a meeting with Frank Lloyd Wright. It’s almost as if we are walking with him as he describes in vivid detail his approach to the compound and begins making his way through the masterfully orchestrated series of rooms and passages; we take each turn with him, see each vista, revel at every ray of light, and feel in our viscera every quickening, every slowing through space and time.

Egan Gleason
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Direct from Bhutan

While some architects look askance at the seemingly strange importation of a foreign style onto the UTEP campus, the Bhutanese apparently are pleased that their architectural idiom has been incorporated into modern American buildings.

Temple Photo courtesy UTE P.
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A Resonant Ensemble

by: Willis Winters, FAIA
Architect: Allied Works Architecture; Booziotis & Company Architects

It is early afternoon at the new arts magnet school in downtown Dallas. Classes are in session and there is considerable activity in the building’s loft-like corridors. Students can be found working on class projects, but these are not the kinds of activities and assignments typically encountered in a high school curriculum.

Helene Binet; Jeremy Bittermann; Willis Winters, FAIA
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A Well-Centered Campus

by: Thomas M. Colbert, A IA
Architect: Thomas Phifer and Partners

Located near the geographic center of Houston’s frenetic urbanism, just below the crosshairs of its freeway system, the Rice University campus harbors an almost monastic quiet and tranquility. Rice, with a lot more land per student than at most urban universities, affords quite a bit of distance between students as they wander between the staid allees of shade trees and colonnaded brick buildings.

Scott Francis
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Mexican Modern In East Austin

by: Mario L. Sanchez, PhD
Architect: Cotera+Reed Architects

Founded in 1987, Southwest Key Programs, a national non-profit group based in Austin, manages a variety of social programs to benefit disadvantaged youth and their families. Intending for its new headquarters to act as a tool for neighborhood revitalization, the organization selected a site in a traditionally under-served area of the city to locate the Southwest Key East Austin Community Development Project.

Mike Osborne
Page 52

Homework Yields High Marks

by: Chris Schultz, AIA
Architect: Pfluger Associates Architects; Chumney & Associates

The North East Independent School District set several lofty learning objectives for the designers of its new prototypical middle school, José M. Lopez Middle School, in the fast-growing Stone Oak area of far-north San Antonio.

Chris Cooper Photography
Page 58

Andy Dekaney High School

by: Noelle Heinze
Architect: SHW Group

Andy Dekaney High School recently received the 2008 Caudill Award, the highest honor given in the TASA /TASB Exhibit of School Architecture. Based on findings that students perform better in small groups, “Instruction Should Drive Construction” was the guiding philosophy for SH W Group’s design of the 486,000-square-foothigh school sited on 80.7 acres in Houston’s Spring Independent School District.

Richard Payne, FAIA
Page 69

Waxahachie Global High School

by: Noelle Heinze
Architect: Huckabee & Associates

Waxahachie Global High School received the 2008 TASA /TASB Exhibit of School Architecture “Special Recognition for Outstanding School Renovation.” Huckabee and Associates restored the three-story, 1917 T.C. Wilemon building, transforming the 79,356-square-foot space into a high-tech campus equipped with the latest technology.

Paul Chaplo
Page 72

Neglected Territory

by: Jeffrey Brown, AIA

Ignored by many architects and most academics, tilt wall construction is nonetheless widespread. It is prevalent in the marketplace and ubiquitous on the landscape, yet tilt wall construction is considered a “low” form of building methodology utilized in commercial construction by “mainstream” architects and their co-conspirators in the building trades. As a result, tilt wall construction has been overlooked as an area for more extensive architectural exploration.

K.J. McNitt photo courtesy Elliott + Associates Architect s; TXU customer service center Photo Courtesy cunningham architect s
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Building Careers

by: Tom Cox

The architecture CLUSTER at Skyline High School began in 1972 as one of the magnet career programs offered by the Dallas Independent School District to help prepare students for a variety of professions. From the outset, the objective was to provide students with the essential concepts of the practice of architecture.

Tom Cox
Page 96

Halprin’s Heritage Plaza in Fort Worth Among ‘Endangered’ Places for 2009

by: Michal g. Tincup, ASLA

Texas is gifted with many celebrated public landscapes from the modern era, including Philip Johnson’s Fort Worth Water Gardens (1974) and Thanks-Giving Square (1974); Daniel Kiley’s Fountain Place (1986) and Dallas Museum of Art (1983); and Peter Walker’s Nasher Sculpture Center Garden (2005).

Page 12

Trammell Crow (1914-2009)

by: Gregory Ibanez

The noted Dallas developer Trammell Crow passed away at his East Texas farm on Jan. 14. He was 94 years old and had apparently been in failing health for some time. While Crow’s reach in the commercial real estate world was international in scope, he left an inescapable legacy in his hometown of Dallas.

Page 16

Outlook for a Downturn

by: Stephen Sharpe

Just how troublesome are current economic conditions in Texas? To gain insight, Texas Architect invited six architects to join a roundtable discussion where they were asked to assess their local markets and offer near-term forecasts. The roundtable discussion took place in Austin on Jan. 19.

Julie Pizzo; original photography by istock and shutterstock
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Campus Conversion

by: Kurt Neubek, FAIA and John Clegg, AIA
Architect: HarrisonKornberg Architects

The Houston Community College (HCC) System is one of the nation’s largest, with 23 locations across the metropolitan area. Since its creation in 1971, the system has acquired a diverse range of facilities and adapted them for educational purposes.

Michael Stravato
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Landmark Encore

by: Bart Shaw
Architect: Marquis Group

Montgomery Ward published its first catalogue in 1872 and soon found great success shipping farm equipment and other goods across the U.S. via rail. In the 1920s the company built nine regional facilities that combined distribution centers and retail outlets, including one in Fort Worth in 1928. The eight-story Mission Revival building, completed in nine months by general contractor Thos. S. Byrne, was expanded and renovated several times over the years. Enclosing 600,000 square feet, the U-shaped edifice teemed with fervent activity through the 1960s.

Craig Smith
Page 58

Hyatt Lost Pines Resort

by: Noelle Heinze
Architect: HKS Hill Glazier Studio

Page 72

Survey: Texas Slow to Adopt BIM

by: Andy MacPhillimy, AIA

The software capabilities that are the foundation for Building Information Modeling, or BIM, have been under development for more than 20 years, and in the last few years awareness and interest in BIM by the AEC industry have grown remarkably. However, a recent survey indicates that the AEC industry in Texas has been slow to adopt BIM. Those few in Texas who are now using BIM, survey respondents state that adoption of the new technology has resulted in wide-ranging changes in the way they design and deliver projects.

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