Studio Awards 2010
Architect: Max Levy, FAIA
Color Clock House was conceived as a speculative house for a developer of an enclave of sustainable homes in Dallas.
Color Clock House was conceived as a speculative house for a developer of an enclave of sustainable homes in Dallas.
The concept for edgeHouse explores the architectural potential of a house that fully exploits the unique social and environmental dualities of Marfa.
Pegboard is a sustainable and expandable shelter for the people in the African nation of Ghana.
For his efforts to encourage minority, under-served, and low-income students to pursue careers as architects, the American Institute of Architects’ Board of Directors has selected Clyde Porter, FAIA, as the 2009 recipient of the Whitney M. Young Jr. Award.
The jury in AIA El Paso’s 2008 awards program recognized seven projects for design excellence. From more than 25 entries submitted in four categories – commercial, interiors, residential, and future projects – the jury presented two Honor Awards, four Merit Awards, and one Honorable Mention.
After jurors carefully evaluated 53 entries from 20 local architectural firms and one individual AIA member, the AIA San Antonio chapter announced the winners of its 2008 Design Awards. A total of 13 projects were recognized with awards in early November. Kell Muñoz topped the list with five awards.
The jury for AIA Fort Worth’s 2008 Design Awards convened Oct. 14 at the Modern Art Museum of Fort Worth where they sifted through 40 projects before selecting nine for distinction.
The Northeast Texas chapter of the AIA presented five design awards at its annual Christmas party and chapter meeting on Dec. 2. The winning projects for this biannual event were selected from a field of 18 entries representing seven firms.
Andy Dekaney High School recently received the 2008 Caudill Award, the highest honor given in the TASA /TASB Exhibit of School Architecture. Based on findings that students perform better in small groups, “Instruction Should Drive Construction” was the guiding philosophy for SH W Group’s design of the 486,000-square-foothigh school sited on 80.7 acres in Houston’s Spring Independent School District.
Camilo Parra, AIA, of Houston is among eight recipients of the 2009 AIA Young Architects Award. The national honor is presented to professionals who have been licensed 10 years or less regardless of their age.
Designed by Helen Pierce of PierceWorkshop in San Antonio, Pulse recently won the $8,000 DawnTown 2008 Award sponsored by the Miami Downtown Development Authority.
Two projects by Texas firms are among the 17 residential buildings recognized in the 2009 AIA Housing Awards. The awards program, now in its ninth year, was established to recognize the best in housing design and promote the importance of good housing as a necessity of life, a sanctuary for the human spirit, and a valuable national resource.
Lake/Flato Architects’ Shangri La Botanical Gardens and Nature Center in Orange is among the Top Ten Green Projects for 2009 as recognized by the AIA’s Committee on the Environment (COTE). Each year the national award celebrates excellence in sustainable architecture and design solutions that protect and enhance the natural environment.
Three highly respected designers will judge the entries in the 2009 TSA Design Awards program. The jurors will be Philip Freelon, FAIA, president of the Freelon Group in Raleigh-Durham, N.C.; Mary Margaret Jones, FASLA, president of San Francisco-based landscape architecture firm Hargreaves Associates; and Rick Joy, AIA, of Rick Joy Architects in Tucson. The jury is set to meet May 15 in Austin.
Gisue Hariri of Hariri & Hariri Architecture in New York City, has been selected to lead the 2009 Texas Society of Architects Studio Awards jury. This year’s TSA Studio Awards will be judged separately from the Design Awards, and the deadline for entries has been set later in the year to encourage more students to participate in the competition.
AIA Houston honored 12 projects at its 53rd annual Design Awards Dinner held on March 26 at the Rice Hotel’s Crystal Ballroom. Winners were selected from 115 entries in six categories: architecture, residential architecture, interior architecture, renovation/restoration, urban design, and on the boards.
Recognized with a 2009 Great Places Award, co-sponsored by the Environmental Design Research Association and Metropolis magazine, the West Dallas Gateway suggests redevelopment strategies for a blighted, post-industrial area of the city.
On April 18, AIA Austin recognized 15 projects at its 2009 Design Awards Gala held at the historic Browning Hangar on the redeveloped grounds of former Mueller Municipal Airport. Of the 115 submitted projects, 14 received Design Awards and one received a Studio Award.
The effects of the economic downturn are now clearly apparent across the state. The evidence is rendered in less-than-optimistic forecasts as firms cautiously plan for 2010. The recession is brought into sharper relief when compared with the robust business climate enjoyed by design professionals for a decade prior to last year’s fourth quarter.
The Margarite B. Parker Chapel is essentially unchanged since completed in 1966, a pink-brick Romanesque duomo at the spiritual center of O’Neil Ford’s idealized hill-town campus of Trinity University.
AIA Brazos held a jury on Aug. 6 for the chapter’s biannual design awards program. Jurors included Dror Baldinger, AIA, of Marmon Mok Architects, Brantley Hightower, AIA, of Lake/Flato Architects and Stephen Sharpe, the editor of Texas Architect. From a total of nine projects submitted, the jury selected three for recognition.
The 2009 TSA Design Awards jury met in Austin on May 15 to view 261 submittals of built work. The jurors were Mary Margaret Jones, FASLA, of Hargreaves Associates (San Francisco, Cambridge, and New York); Rick Joy, AIA, of Rick Joy Architects (Tucson); and Philip Freelon, FAIA, of the Freelon Group (Durham, N.C.)
When Antoine Predock, FAIA, was in midst of conceiving the new Austin City Hall, he commented that the city was “terminally democratic.” He made the remark after his design survived a protracted review process that included more than a dozen town meetings and hearings before the City Council. A similar sort of public scrutiny – albeit on a smaller, neighborhood scale – resulted when Dick Clark Architecture added a zoning non-compliant residential building to its 1400 South Congress mixed-use project.
Discussing Dallas Fort Worth International Airport Terminal D and its selection for a 2009 TSA Design Award, juror Philip Freelon, FAIA, said, “We thought that the project was a very good example of a public building, very prominent, but it still was handled with quite some sensitivity. We all have been in airports, probably more than we’d like, and this is one where you actually feel a sense of light and airy space, which is relaxing. Natural light was well used, and the high volume of the space gives it an open and comfortable feeling. We thought it was well worthy of an award.”
The area just north of downtown Dallas known as Oak Lawn is rich and diverse in demographics, land use, and building types. Having matured over time, Oak Lawn has evolved into a neighborhood of restaurants, churches, hotels, offices, and a varied assemblage of residential buildings.
From the street Cunningham Architects’ House in the Garden is a beautifully conceived and executed object, partially shielded behind an iconic wall constructed of stainless-steel wire grid and filled with fragments of slag glass. This idealized garden villa – really a giant porch – provides a delightful way to both view and inhabit a highly personalized landscape. It’s a thoughtful and well organized bit of place making; surprisingly its greatest success is as a foil and extension of an outdoor space that was originally part of the adjacent house.
This word painting by Rand Elliott, FAIA, explains how he wants people to understand his latest award-winning project, ImageNet of Houston. Employing poetry or manifestoes to describe one’s work is not uncommon these days. Indeed, such material appears to be a prerequisite of the current media culture that promotes “starchitects,” “signature architects,” and one-hit wonders. Supportive text is, we are led to believe, required reading. If a building appears mundane, baffling, or otherwise underwhelming, just refer to the narrative. Within the architect’s words, we are told, lies the true meaning which will assure in our prosaic times that, yes, this is Architecture.
Once just another nondescript, single-story building indistinguishable from its neighbors that together comprise a light-industrial district wedged between downtown Dallas and the Trinity River, the Light & Sie Art Gallery now stands out. The reconfigured entry, framed by a box of aluminum panels, asserts a refined presence that quietly commands attention amid the clutter of storefronts along Leslie Street on the city’s near-west side. The 13,000-sf project is one of the latest examples in a transformative trend for the area where a few of the shopworn buildings have been repurposed as showrooms for the design trade and retail galleries for contemporary art.
Approaching the Linda Pace Foundation from the east, visitors are confronted with a strikingly graphic text piece on the building’s canvas-like facade, a short poem by Daniel Edgar Martinez: “beauty…it rubs against one’s tongue, it hangs there, hurting one, insisting on its own existence, finally it gets so one cannot stand the pain, then one must have beauty extracted.” It’s an “in your face” message that transcends its purpose as a public art piece and could describe the transformation of a derelict 1940sera auto paint shop into what is now the subtle and powerful beauty of the Linda Pace Foundation.
Once the site of an identical apartment building as the building the gallery now inhabits, is where the designers Dillon Kyle and Cedar Baldridge imagined a parking lot built for the artists of the gallery. The parking lot is actually used more by the guests and owners of the gallery but it makes a nod to the artwork inside. It is a unique integration of art, landscape, and function.
Although San Antonio’s iconic settings are significant especially when weighed for their economic benefits to Texas’ third largest city, the broader story of her heritage, traditions and, most importantly, her people is to be found in quarters beyond the shadows of high-rise downtown hotels.
Aglow at night like a gigantic Chinese paper lantern, the Lenora and Walter F. Brown Asian Art Wing, designed by Overland Partners of San Antonio, inserts a luminous minimalism into the crenellated, century-old former Lone Star Brewery that houses the San Antonio Museum of Art. The architects have maintained the subtle rhythms of the circa-1900 brewery while deftly introducing a sleek, modern horizontal complement to the venerable, vertical brick structure.
The comprehensive renovation of a circa-1970 Brutalist office building has yielded a comfortable and award-winning home for the innovate research being conducted by the University of Texas at Dallas Center for BrainHealth. Designed by HKS, with Kyley Harvey leading the effort, the 63,000-sf project was completed in late 2006.
Wolfe Den, by MJ Neal, AIA, represents the Austin architect’s fifth TSA Design Award. The 2,300-sf residence, designed for a young professional couple, is a study in layers, light, and logic, and stands out in subtle contrast to Neal’s previous award-winning work, which includes Twin Peaks (2003), Ramp House (2004), Anthony Nak (2005), and Farley Studio (2007). “This is a much more subtle work than Ramp House and Twin Peaks. The division of space is central to this project,” says Neal, when asked to define the difference between this home and the three others (Twin Peaks comprises two side-by-side dwellings) on the same south Austin street. Sited in an eclectic neighborhood populated by mostly 1930s-era homes interspersed with hip makeovers, Wolfe Den is bordered on the east by a one-story bungalow and on the west by the strikingly modernist Ramp House. Further down the block are Twin Peaks.
During its 70th annual convention in October, the Texas Society of Architects recognized the following as this year’s Honor Award recipients for significant contributions to the architectural profession and the quality of the built environment.
Carolyn Peterson, FAIA, is the forty-first recipient of the Texas Society of Architect’s highest award – the Medal for Lifetime Achievement in Honor of Llewellyn W. Pitts FAIA – presented annually to a TSA member for contributions to the profession of architecture and their community. From its inception in 1968 until this year, the honor’s awardees have been exclusively male.
In honor of its significant contributions to the architectural profession and the community, the 2009 TSA Firm Award was presented to PageSoutherlandPage during the Texas Society of Architect/AIA convention on Oct. 23.
Since 2004, the Texas Society of Architects has sponsored the TSA Studio Awards to recognize the best in unbuilt work by architectural students and faculty, as well as by architects practicing in the state. Prior to this year, submittals were reviewed by the same jurors who judged the TSA Design Awards.
Where the historical covered bridge protected the structure from the elements, this reinterpretation permits the elements to pass through the structure. Located in the Texas Hill Country, the Sorensen Bridge is the addition of a structure to an existing bridge spanning 50 feet across Sandy Creek near New Ulm. The creek divides 220 acres of private property that belongs to an entrepreneur whose business is selling tube steel.
While undergoing tremendous political and socio-economic transition in light of the post-Saddam Hussein regime change, Kurdistan is embracing education and the power it has to transform a nation. This has led to a desire for schools that can serve as catalysts for the transformation, and the new Transformational School will become a prototype for introducing twenty-first-century educational methods.
Bird watching presents untapped potential for the hospitality industry. With as many as 47.8 million American’s calling themselves “birders,” a niche market for hotel design has been previously overlooked. Morris Architects designed an approach that can make this great pastime a sensory, exciting experience for anybody—professional naturalists, hobbyists, or those in search of a luxurious retreat experience.
FEMA trailers are by their nature temporary and by their character demoralizing. What if a permanent solution could be deployed quickly enough to help people retain their community, spirit, and viability? Lift:Home was developed for this purpose.
Simulation helps designers see virtual space as more than just a mirror of reality, allowing the user to test the potential realities – site conditions, material properties, lighting, and the laws of physics – of a design before constructing it at full scale.
The project proposes to redevelop Valencia’s old harbor in Spain that represents the commitment of the city with a modern spirit, rich in options and aspirations. This project of renovation and master planning intends to recover the harbor in a sustainable manner. The project proposes: 1) to create a waterfront where none currently exists; 2) to integrate the port into the city; 3) to suitably separate the port and non-port uses; 4) to order traffic circulation along the seafront; 5) to resolve the area in which the dry river bed joins the sea; 6) to conserve and recover the heritage of the area; 7) to propose a suitable combination of public and private uses; and 8) to consider pre-existing uses for their integration into a sustainable environment.
The 89,000-sf museum in downtown Lima exhibits Peru’s collection of ancient and contemporary textiles while also providing spaces for research, preservation, education, and social/community events. It also utilizes lighting, scale, and spatial experience to properly display textiles.
Death and humans’ response to it have long held the power to bind cultures together and create places that transcend time and custom. Our collective respect for the dead and where they are laid to rest reaches across cultures like few other human experiences. It is the commonality of this reverence that guides the creation of Yarauvi, a necropolis at the center of the Dead Sea.
From the 58 projects entered in the 2007 AIA San Antonio Design Awards, jurors selected two for Honor Awards, three for Merit Awards, and five for Citation Awards. In addition, the jury recognized two of the award-winning projects for sustainable design. During ceremonies held Oct. 24 at the recently renovated Pearl Stable, two other awards were announced—the Mayor’s Choice Award honoring a publicly funded architectural project and the chapter’s 25-Year Design Award for a project `that has stood the test of time.
The local chapter of the AIA recognized four projects in the General Design category and one project in the Mayor’s Award category in ceremonies that took place at the Modern Art Museum of Fort Worth. The members of the 2007 jury were Julie Eizenberg, AIA, of Koning Eizenberg Architecture in Los Angeles; Errol Barron, FAIA, of Errol Barron/Michael Toups in New Orleans; and Kevin Alter, Assoc. AIA, of Alterstudio Architects in Austin.
The Dallas chapter of the American Institute of Architects announced the 2007 design award winners during its annual Design Awards Announcement and Celebration Party in the AT&T Victory Plaza on Sept. 19, 2007.