Article Results for "architecture"

Stone Oak Branch Library

Designed by Marmon Mok Architecture, the 15,000-sf Stone Oak Branch Library will serve San Antonio’s growing population on the far northwestern edge of the city. The crescent-shaped building will be sited in a clearing among existing live oaks and will provide views of the Hill Country prairie’s native grasses, prickly pears, and elms, as well as neighboring limestone escarpments and a dry creek bed.

Page 21


by: Stephen Fox

Architectural historian Virginia McAlester; architect and historian Willis Winters, FAIA; journalist Prudence Mackintosh; and photographer Steve Clicque have produced an extraordinary work on the history and architecture of Dallas’ two best-known twentieth-century residential communities, Highland Park and University Park.

Page 31

Living Laboratory

by: Urs Peter Flueckiger

As our planet’s reserves of water and energy sources become increasingly limited, architects must develop forms of architecture that incorporate – even celebrate – sustainability design practices. Toward that end, my students at Texas Tech University are engaged in an ongoing project that focuses on a variety of solutions. The result is a living laboratory designed for the harsh microclimate of Foard County about 45 miles west of Wichita Falls.

Images by Urs Peter Flueckiger
Page 84

Foster + Partners Exhibit at Nasher

by: Gregory Ibanez

The Nasher Sculpture Center in Dallas has shown a significant interest in architecture during its relatively brief history.

Page 25

Rice Appoints New Dean

by: TA Staff

Sarah Whiting, a member of the Princeton University School of Architecture faculty and an expert in urban and architectural theory, has been named dean of the Rice University School of Architecture. Whiting officially takes command on Jan. 1.

Page 27

Constructed Ecologies

Rice University graduate students Zhan Chen and Brantley Highfill (with faculty sponsor Douglas Oliver) recently received second place for their design Constructed Ecologies in the Association of Collegiate Schools of Architecture “Concrete Thinking for a Sustainable World” International Student Design Competition.

Page 28

Architecture Criticism and the Public

by: David Dillon

I’ve just returned from a trip to Amsterdam and Paris, and one of the things that surprised me – besides $20 chicken salad sandwiches washed down with $15 glasses of vin ordinaire – was the number of architecture and design magazines for sale in airports, train stations, bookstores and sidewalk newsstands.

Photos by Lawrence Lander
Page 32

Lerup’s Legacy

by: Ben Koush

The program of the Rice School of Architecture (RSA) – encouraging students to create conceptual apparatuses for investigating contemporary urban phenomena – is outlined in its latest publication, Everything Must Move, released on the occasion of the fifth Kennon Symposium honoring Dean Lars Lerup as he steps down this year.

Photo by Lawrence Lander
Page 35

Eclectic Ensemble

by: Lawrence Connolly
Architect: Dick Clark Architecture with Michael Hsu Design Office

When Antoine Predock, FAIA, was in midst of conceiving the new Austin City Hall, he commented that the city was “terminally democratic.” He made the remark after his design survived a protracted review process that included more than a dozen town meetings and hearings before the City Council. A similar sort of public scrutiny – albeit on a smaller, neighborhood scale – resulted when Dick Clark Architecture added a zoning non-compliant residential building to its 1400 South Congress mixed-use project.

Paul Bardagjy; Illustration by Bryce Weigand
Page 40

Concrete Poetry

by: Jeffrey Brown, AIA
Architect: Elliott + Associates Architects

This word painting by Rand Elliott, FAIA, explains how he wants people to understand his latest award-winning project, ImageNet of Houston. Employing poetry or manifestoes to describe one’s work is not uncommon these days. Indeed, such material appears to be a prerequisite of the current media culture that promotes “starchitects,” “signature architects,” and one-hit wonders. Supportive text is, we are led to believe, required reading. If a building appears mundane, baffling, or otherwise underwhelming, just refer to the narrative. Within the architect’s words, we are told, lies the true meaning which will assure in our prosaic times that, yes, this is Architecture.

Scott McDonald, Hedrich Blessing; Illustration by Bryce Weigand
Page 56

Light Show

by: Stephen Sharpe
Architect: Booziotis & Company, Thomas Phifer & Partners, nodesign

Craig Blackmon, FAIA
Page 96

Peterson Is First Woman To Receive Top TSA Honor

by: Mary Carolyn Hollers George

Carolyn Peterson, FAIA, is the forty-first recipient of the Texas Society of Architect’s highest award – the Medal for Lifetime Achievement in Honor of Llewellyn W. Pitts FAIA – presented annually to a TSA member for contributions to the profession of architecture and their community. From its inception in 1968 until this year, the honor’s awardees have been exclusively male.

photo courtesy Ken Slavin
Page 15

Drawn to Architecture

by: Bryce A. Weigand, FAIA

These drawings are excerpts from sketchbooks complied over the past 33 years. Presented in our Good Fulton & Farrell University (for AIA learning unit credits), they formed the structure of the presentations: “Drawn to Architecture: Sketches to Reality.”

Page 26

The Lure of the Industrial

by: J. Brantley Hightower

At least two things bind all architects together: our vacation photos tend to include more buildings than people and at some point we read Le Corbusier’s Towards a New Architecture. While it has since been revealed that the title and other portions of the book were initially translated poorly, the book remains arguably the most influential manifesto of the early modernist period. Although Corbusier’s grand pronouncements are at times both endearingly naïve and annoyingly heavy handed, his general thesis was certainly revolutionary for its day and prophetic given all that came later.

Atchison, Topeka & Santa Fe Control Tower 19, Santa Fe Railway Milepost 51, Dallas; image courtesy Library of Congress, Prints &
Photographs Division, HAER , Reproduction number HAER TEX, 57-DAL, 5-5; Photos at far right by J. Brantley Hightower, AIA
Page 44

Local Legacy

by: Ken Slavin
Architect: Marmon Mok with AIA San Antonio Building Committee (J. Douglas Lipscomb, AIA; Chris Schultz, AIA; G

Hosting a convention for 19,000 architects might sound like a daunting task. For AIA San Antonio, as the local chapter for the 2007 AIA national conference, planning the annual gathering was just one item of its agenda. At the same time, the chapter’s leaders were also designing a new Center for Architecture, a “legacy project” to fulfill requirements from the national headquarters for a tangible, local initiative that would live long beyond the four-day convention.

Giles & Pearlstone Photography
Page 52

Bold Identity

by: Thomas Hayne Upchurch
Architect: Collaborative Designworks

Oiltanking Texas City is a terminal for receiving, storing, and distributing petroleum-based products. Approximately 100 acres in size, the site is located within the Texas City Industrial Park, a landscape of contiguous oil refineries and chemical plants that edge the west side of Galveston Bay. The overall site is dominated by shipping docks and sections of land dotted with storage tanks, laced together by interior roadways. At its southwest corner is the office building for the terminal’s operations. Comprised of almost 13,000 sf, the architecture of the Oiltanking office building stands as the relatively diminutive control point within a site of disproportionate scale.

Aker/Zvonkovic Photography; Collaborative Designworks
Page 56

Bullish on Materials

by: Malcolm Holzman, FAIA

Architecture for me is not about concealment but rather about divulging its very nature to the widest possible audience. Materials are not a mystery; they are an essential building ingredient, our heritage, and part of our everyday lives.

Photos by Tom Kessler
Page 88

New Architectural Program in El Paso Targets Hispanics for Bachelor Degrees

by: Cory Chandler

The way that architecture professor and discipline coordinator Ken Gorski describes it, El Paso Community College is a campus with its heart residing on both sides of Texas’ border with Mexico. This description, more allegorically than geographically accurate, pegs the character of a campus that is 85 percent Hispanic and located in a city largely defined by its close proximity to Juarez, Mexico.

courtesy Texas Tech University
Page 11

A Half-Century of Best Works by Hines On View at Architecture Center Houston

by: Barrie Scardino

Starting with a project for a small office and warehouse in 1957, Gerald D. Hines began developing real estate in Houston with a keen eye for adding value to his projects with architectural excellence. A half-century later, having developed hundreds of buildings around the world, Hines has remained committed to raising the standards of commercial design by engaging the best practitioners.

Photos courtesy Hines
Page 14

AIA Fort Worth Awards 5 Projects

by: Ivonne Levin, AIA

The local chapter of the AIA recognized four projects in the General Design category and one project in the Mayor’s Award category in ceremonies that took place at the Modern Art Museum of Fort Worth. The members of the 2007 jury were Julie Eizenberg, AIA, of Koning Eizenberg Architecture in Los Angeles; Errol Barron, FAIA, of Errol Barron/Michael Toups in New Orleans; and Kevin Alter, Assoc. AIA, of Alterstudio Architects in Austin.

Page 18

AIA Dallas Celebrates Design Excellence

The Dallas chapter of the American Institute of Architects announced the 2007 design award winners during its annual Design Awards Announcement and Celebration Party in the AT&T Victory Plaza on Sept. 19, 2007.

Page 20

Interloop’s E-X-I-T Enters MoMA

On Nov. 7, 2007, the Museum of Modern Art in New York inducted into its permanent collection Interloop Architecture’s E-X-I-T sign custom designed for the Nasher Sculpture Center in Dallas. Fabricated with acrylic letters and illuminated by LED, the Houston firm’s creation joins other works in the MoMA Architecture and Design collection suchas Vignelli’s New York subway signage and the Flight Departure Panel from Solari di Udine.

Page 24

Creole Influence Along the Border

by: Stephen Fox

The Lower Río Grande Valley chapter of the American Institute of Architects kicked off its fifteenth annual conference on Sept. 27 with a day-long tour of nineteenth-century architecture in the border cities of Brownsville and Matamoros, Tamaulipas. Called “A Tale of Two Cities,” the tour was led by Gregory Free, principal of an Austin design firm specializing in historical restoration.

Courtesy Wayne Bell, FAIA
Page 27

Quiet Standout

by: J. Brantley Hightower
Architect: Perkins+Will

The study of campus architecture in Texas is truly a lesson in cultural diversity. Just by sampling schools in the University of Texas System, one would observe everything from a Beaux-Arts rendering of Spanish Mediterranean motifs on the Austin campus to a playful reinterpretation of Bhutanese monasteries in El Paso.

James Steinkamp
Page 44


(This article was adapted from “Sustainability & Green Building Design with Brick Masonry,” an article that originally appeared in the October 2007 edition of Brick in Architecture published by the Brick Industry Association.) Many of the objectives of sustainab le design do not impact building material selection, but instead focus on building systems such as plumbing, lighting, air conditioning, etc. However, the versatility and durability of brick facilitate the use of brick masonry as part of many elements of sustainable design.

Photo by Mark Trew ; Courtesy HDR
Page 69

AIA Honors Austin Firm’s Work

Anthony Nak Flagship Store, a high-end jewelry boutique designed by MJ Neal Architects of Austin, has been recognized with a 2008 AIA Honor Award for Interior Architecture. Located in downtown Austin, Anthony Nak represents the only project with a Texas connection among this year’s slate of winners.

Page 11

Winner Selected for Dallas Center for Architecture Competition

by: W. Mark Gunderson, AIA

AIA Dallas, following examples from across the country (New York City and Houston considered obvious prologue) has taken the first steps towards the construction of a new 7,500-square foot venue intended to house its own activities as well as those of multiple organizations aligned with the architectural mission of the chapter including the Dallas Architectural Foundation and the Dallas Architecture Forum.

Rendering courtesy Peter Doncaster, AIA
Page 14

Hill Country Montessori School

Designed by SHW Group, the Hill Country Montessori School in Boerne will demonstrate to its young occupants the importance of creating sustainable built environments by using architecture to promote education. The design of the buildings promotes both environmental and social awareness through transparency and access.

Page 20

Healing Environments

by: Stephen Sharpe

The studio exercise called for students to design an addition for an assisted living facility for senior citizens in La Porte. The assignment was their first for the Spring 2008 design studio in the master’s program at Texas A&M University’s Department of Architecture.

Page 5

Legorreta Retrospective in San Antonio

by: Edward Burian

“The Architecture of Ricardo Legorreta,” a recent exhibition at the Blue Star Contemporary Art Center, was both a significant event in the cultural life of San Antonio and an important insight into the noted architect’s work process.

Images by Legorreta + Legorreta Architects courtesy of Blue Star Contemporary art center
Page 11

‘Horizons’ Program Introduces Girls To Future Professional Opportunities

by: Margine Biswas

For the past eight years, AIA Dallas’ Women in Architecture has reached out to girls in elementary and middle-school grades through a national program called Expanding Your Horizons. The program encourages girls to continue their studies in math and science by introducing them to interesting career options in technical subjects.

photo by Penny Ball
Page 14

AIA Houston Awards 16 Projects

by: Kimberley Hickson, AIA

AIA Houston honored 16 projects during the chapter’s fifty-second annual Design Awards Dinner held on March 27 at the Rice Hotel. Winners were selected from 117 entries.

Page 16

Sustainable Healthcare Design

by: Stephen Sharpe

Gail Vittori is co-author of Sustainable Healthcare Architecture (Wiley Press, 2008) with Robin Guenther, FAIA. As co-director of the Center for Maximum Potential Building Systems, Vittori also helped develop the Green Guide for Health Care ( and chairs the U.S. Green Building Council’s LEED for Healthcare Committee. TA Editor Stephen Sharpe recently nterviewed Vittori about her book and her purpose in writing it.

Page 32

A World of Small Wonders

by: Thomas Hayne Upchurch
Architect: Karlsberger

Healthcare architecture has made significant strides over the past 20 years to provide environments that are more sensitive to the needs of patients, families, physicians, and staff. There is a greater understanding that wellness and healing are supported not only by advances in medicine and technologies in diagnostics and treatment, but also by the quality of the building’s environment. Designed for the Seton Healthcare Network by Karlsberger of Columbus, Ohio, the Dell Children’s Medical Center of Central Texas in Austin builds on these improvements to the healthcare environment and takes its design to an even higher level while also achieving ambitious goals for environmental stewardship.

John Durant; Thomas McConnell
Page 34

New Harmony Grotto

Inspired by nature, University of Houston Gerald D. Hines College of Architecture fifth-year students re-imagined Frederick Kiesler’s Grotto for Meditation, originally commissioned in 1963 by Jane Blaffer Owen as a quiet and relaxing environment in the arts community of New Harmony, Ind.

Page 22

Judd’s Legacy in Print

by: Lawrence Connolly

In his foreword of Urs Peter Flückiger’s Donald Judd: Architecture in Marfa, Texas, the eminent architectural historian Richard Guy Wilson describes Judd’s Marfa work as overwhelming both in scale and quality. For Wilson, it speaks volumes about the nature of art that one would findJudd’s enigmatic pieces in such an isolated place.

Photography by Florian Holzherr courtesy the Judd Foundation; drawings by Urs Peter Flückiger and students of Texas Tech University, College of Architecture
Page 29

Lost and Found

by: Val Glitsch
Architect: Lake|Flato Architects in association with Jeffrey Carbo Landscape Architects and MESA Design Group

‘Shangri La’ conjures a dreamy utopia protected from the outside world. A much sought-after place of tranquility, ever-increasing wisdom, and beauty—the perfect paradise existing somewhere on this earth but hidden from sight. The movie-made-famous name, inspired by James Hilton’s 1933 Lost Horizon, is the heaven-on-earth place just waiting to be found.

Hester + Hardaway
Page 42

A Celebration of Light

by: Ed Soltero
Architect: NINE DEGREES architecture + design, Inc.

The Mansfield residence in El Paso was conceived from a fascination with the experiential qualities of light. Early in the design phase the couple expressed their interest in the genesis and propagation of light. Their personal appreciation of such is manifested through their extensive yet different collections of artifacts. An exquisite collection of menorahs defined hers, while his was embodied in a fascinating collection of cameras. The local firm 9 Degrees Architecture was first and foremost tasked with creating a place of living with the unique purpose of celebrating life each and every day.

Fred Golden Photography
Page 64

Light and Flexible

by: Geoffry Brune, AIA
Architect: Lord, Aeck & Sargent

The Margaret M. Alkek Building for Biomedical Research, designed by Lord, Aeck, & Sargent’s Architecture for Science Studio, is a signature facility on the Baylor College of Medicine campus. Completed in July 2007, the eight-story tower contains research facilities for interdisciplinary programs in cardiovascular sciences, cancer, pharmacogenomics, genomics, and proteomics. The building’s open plans, with extensive use of interior glazing, enhance flexibility and collaboration while also adding a sense of transparency.

Jonathan Hillyer
Page 76

TSA Medal for Lifetime Achievement

Velpeau (Vel) E. Hawes Jr., FAIA, graduated in 1958 with a bachelor of architecture degree from Texas A&M University in College Station. After four years of service as an infantry officer, he began a 38-year career as a licensed architect and licensed interior designer with several architectural firms in Dallas, including Omniplan, HOK, and PGAL.

Page 14

TSA Architecture Firm Award

Founded in 1953 by Harvey V. Marmon Jr. and Edward Mok, Marmon Mok is now led by Stephen R. Souter, FAIA, who has served as managing partner since 1988; William Reeves, AIA; Greg Houston, AIA; Dror Baldinger, AIA; Carlos Moreno, AIA; Mary Bartlett, AIA; Braint Harkiewicz, AIA; and Montgomery Howard, AIA.

Page 16

DMA Exhibits Work by UTA Studios

by: Susan Appleton, Brad Bell

Planes of sewing thread, a panel of drinking straws, pillows of concrete, and 3-D tiles of laser cut paper – materials used out of context to challenge ordinary associations – form the basis of two walls created by students at UT Arlington’s School of Architecture for the inaugural exhibition in the Center for Creative Connections at the Dallas Museum of Art.

Top left photo by Marta Sw aff er; all others courtesy Dallas Museum of Art
Page 22

Lubbock Recognizes 12 Design Projects

by: Laura N. Bennett

[Editor’s note: Due to an editing error, a news story in the July/August edition about AIA Lubbock’s Design Awards inadvertently omitted the projects’ architecture firms. The complete list follows.] AIA Lubbock presented its 2007 Design Awards on Nov. 29, 2007.

Page 24

TAMU Fills Administrative Posts

by: TA Staff

Changes within the administrative suite at Texas A&M University’s College of Architecture recently went into effect, including the appointments of a new interim dean and four permanent department heads. Meanwhile, the search will continue for a dean to succeed Tom Regan, Assoc. AIA.

Page 24

Asia Society’s Texas Center

Designed to reflect the harmony and elegance of modern Asian architecture, the Asia Society’s Texas Center project was led by internationally celebrated Yoshio Taniguchi, the architect responsible for the 2004 expansion of New York’s Museum of Modern Art.

Page 29

Lessons from Rome

by: Taeg Nishimoto

“Lessons from Rome” explores the enduring impact of the ancient metropolis on Robert Venturi, Tod Williams, Thomas Phifer, and Paul Lewis. The four architects are Fellows of the American Academy in Rome (AAR) whose experiences there continue to inform their design work. Curated and produced by Smilja Milovanovic-Bertram, an assistant professor at the UT Austin School of Architecture, the exhibition juxtaposes photographs of Rome with images of the architects’ subsequent work. The exhibition, funded through grants from the Graham Foundation for Advanced Visual Studies and UT Austin, opens on Oct. 20 at Texas A&M University’s College of Architecture.

Pantheon photo by Smilja Milovanovic-Bertram; Cranbrook School Natatorium photo by Michael
Page 35

Design Exploration Center

by: Stephen Sharpe
Architect: GBA Architecture

Faced wit h the imminent demolition of a World War II-vintage structure adjacent to the University of Houston’s College of Architecture, school officials devised a metamorphosis that not only honors the original building’s utilitarian design but also enhances scholarship on the urban campus.

Hester + Hardaway Photographers
Page 50

Oak Court

by: Michael Malone
Architect: Buchanan Architecture

Few architects’ legacies have been more controversial than that of mid-century modernist Edward Durrell Stone. As his buildings age, they don’t engender the passion for restoration often associated with the work of his peers. Buchanan Architecture’s recent restoration and remodel of Oak Court – a palatial Stone design in Dallas from 1956 – offers a clear signal that, despite any prejudices, there is value in Stone’s buildings.

James F. Wilson
Page 82

Modernism for the Borderland Exhibit Highlights Houses by Garland and Hilles

by: Laura Foster Kissack, AIA

Even two decades after architect Bill Palmore left his hometown of El Paso, a set of mid-century houses by two local designers still lingered in his memory. Later, as a professor of architecture at New York Institute of Technology (NYIT), Palmore revisited those modest residences and was struck at the exceptional integrity of the work of late El Paso architects Robert Garland and David Hilles.

Photos courtesy The Rubin Center
Page 12

Sicardi Gallery

The new 5,200-sq. ft. Sicardi Gallery, near the Menil Collection and the Houston Center for Photography, will house a second venue to fulfill its mission to facilitate a cultural dialogue between Latin America, the U.S., and Europe through art.

Page 20
View: 25 50 100 All