Article Results for "SOM"

“I Have Seen the Future: Norman Bel Geddes Designs America”

“I Have Seen the Future: Norman Bel Geddes Designs America, ” a recent exhibit at the University of Texas Harry Ransom Center (HRC) captured Bel Geddes vision of the future and his fundamental belief in the coexistence of art and architecture.

Edith Lutyens and Norman Bel Geddes Foundation / Harry Ransom Center
Page 12

Re-Tailoring Retail

by: Aaron Seward

Three projects — Rackspace Hosting (an internet company in the old Windsor Park Mall in San Antonio), the McAllen Public Library (in an old Walmart), and Montgomery Plaza (a condominium in former Mont¬gomery Ward facility in Fort Worth) — offer a cross section of some of the design concerns and sociological effects of rehabilitating abandoned shopping malls.

Lars Frazer Photography, Boultinghouse Simpson Gates Architects; Lara Swimmer Photography, Craig Smith Photography; Shands Photographics
Page 50

An Office for an Interiors Firm

A new office was the chance for the Houston-based architecture and interiors firm PDR to follow its own advice and build some¬thing that would respond to the firm’s culture while remaining flexible.

Scott McDonald for Hedrich Blessing
Page 88

Obituary: In Memory of Natalie de Blois, FAIA (1921–2013)

by: Emily Little, FAIA

In 1980, when Natalie de Blois, FAIA, hit Austin, she dove into local politics, zoning issues, and Barton Springs Pool with gusto. She also just happened to be a woman who had designed some of the most innovative modern buildings in the United States.

PORTRAIT COURTESY SOM. PHOTO OF THE UNION CARBIDE BUILDING
BY EZRA STOLLER/ESTO. COURTESY SOM. PHOTOS OF SOM BUILDINGS BY EZRA STOLLER/ESTO. COURTESY SOM. PHOTOS
OF GINGERBREAD BUILD-OFF AND BOOK COVER COURTESY AIA HOUSTON.
Page 23

The Education of an Architect

by: Frank Welch, FAIA

By the time I graduated from high school, I had begun to think about becoming an architect. I was visual, very influenced by movies and Life magazine. I liked to draw, but I was afraid of the technical courses that were required, the math and physics.

Holly Reed
Page 24

Lessons in Survival

by: Ed Soltero, AIA

Throughout the history of human civilization, water has been revered as a life-giving force. Unfortunately, some modern societies have exploited this essential natural resource to deleterious extents. In El Paso, however, there’s a beacon of hope for the education of future generations about water conservation in the Chihuahuan Desert.

Carolyn Bowman Photography
Page 80

Recollections of a Lifelong Ham

by: Dave Braden, FAIA

In 1949, when I went to work in the high-profile office of George Dahl, I met Harold (Hagie) Jones. We were both draftsmen working at adjacent tables on the back row, the only degreed architects in a room of 60 architectural draftsmen and a handful of engineers. Hagie was a graduate of Texas A&M and I had my Bachelor of Architecture from UT. While we had our differences, we shared some similarities.

Courtesy David Braden, FAIA
Page 26

Water, Bridges, and Dreams

by: Joe Self, AIA

The new Tarrant County College (TCC) campus, situated just northeast of the historic county courthouse, should be on any architect’s Fort Worth visit list. However, some background is required to understand how the placement and form of the buildings were developed and, ultimately, why the project was abbreviated.

Nic Lehoux; Craig Kuhner
Page 40

Military Hospital Addition

by: J. Brantley Hightower, AIA

Fort Sam Houston in San Antonio has served the medical needs of men and women in uniform since the 1870s. During that time, the complex grew incrementally until 1995 when a new facility was built to consolidate the Fort’s hospital operations. Containing over a million square feet of space, the massive Brooke Army Medical Center (BAMC – pronounced “Bam-See”) was clad in heavy masonry that gave it a somewhat institutional quality. While BAMC was functional, the needs of contemporary combat medical practice are constantly evolving and when the decision was made to absorb most of the operations of a nearby Air Force medical facility into the complex, a significant expansion became necessary to create what would eventually be known as the San Antonio Military Medical Center.

Charles Davis Smith, AIA
Page 74

Julia Ideson Building

by: Texas Architect Staff

The Julia Ideson Building — recently updated by Gensler and originally designed by Boston architects Cram & Ferguson (with associates Watkin and Glover) — opened its doors as Houston’s main library in 1926. However, Cram & Ferguson’s vision for the Ideson was not fully realized. A south wing and reading garden were eliminated due to budget constraints. In 2006, the Julia Ideson Library Preservation Partners raised $32 million to build a new archival wing for Houston Metropolitan Research Center and restore the Julia Ideson Building. The new wing opened in 2009 and follows Cram’s original plan, with some modification.

Courtesy of Gensler
Page 90

Investments in Heritage

by: J. Brantley Hightower

Some of the 254 county courthouses that dot the Texas landscape were built when the communities they serve sat quite literally on the frontier of civilization. Highly visible symbols of a commitment to the rule of law, these historic buildings were more than mere containers for the functional needs of county government. Today, they continue to serve their communities while also representing part of a rich architectural heritage that is unique to our state.

Architexas
Page 27

Outstanding Intern Programs in Texas

by: Rebecca Boles

Many discussions about the practice of architecture end with the conclusion that architectural interns aren’t what they used to be. Well, that’s true: some of today’s emerging professionals are better trained because of improvements to the AIA’s Intern Development Program (IDP).

FK Architects, English + Associates Architects
Page 28

Selecting the Best of Public Schools

by: Bill T. Wilson

As a juror for the 2010 Exhibit of School Architecture sponsored by the Texas Association of School Administrators and the Texas Association of School Boards (with support from the Texas Society of Architects), I spent the better part of a week in July studying the latest work of some of my fellow Texas architects. The experience renewed my appreciation of the range of educational design being built across our state and the lasting impact that educators, administrators, policymakers, and, of course, architects can have in shaping the spaces and places where we educate our children.

Page 68

AIA Dallas’ Latinos in Architecture Takes Volunteer Efforts to the Streets

by: Ellena Fortner Newsom

With the help of a local group of Latino architects, the west Dallas neighborhood known as La Bajada has organized to retain its cultural identity and single-family homes. The efforts are in response to plans by the City of Dallas to explore redevelopment scenarios that would transform an area along the Trinity River near the downtown into a high-density urban village. The area currently includes several small neighborhoods, one being La Bajada.

Georgina Sierra, Fred Pena
Page 18

Queen of the Gulf

by: Gerald Moorhead

Published late last year by Mitchell Historic Properties to commemorate the 100th anniversary of the opening of the Hotel Galvez, this handsome volume blends the beloved landmark’s history with Galveston’s over the past century. Gary Cartwright’s narrative swirls back and forth through time to recount events and personages. Cartwright, author of the previous Galveston: A History of the Island, spins episodic tales of the hotel’s clientele, famous and infamous, and reminiscences of “ghosts and other guests.”

Elizabeth Hackler, Mitchell Historic Properties
Page 32

North Texas Showcase on Sustainability

by: Betsy del Monte, FAIA

There were some unusual sightings in Dallas in mid-July—pedestrians, lots of them, in spite of 101-degree heat. The occasion was the North Texas Sustainable Showcase 2011 that was staged at several venues within an easy walk from each other, giving reason for why many of the nearly 300 attendees were strolling along the sidewalks—a welcome site for the newly thriving Uptown neighborhood.

Greensourcedfw.Org
Page 20

Nature and Human Nature

by: Max Levy, FAIA

Our nineteenth-century Texas forebears lived more closely with nature than we do, but of course they had little choice in the matter. Though we sometimes romanticize that close relationship, most early Texans probably would have traded the romance for a window unit air conditioner. Nevertheless, they made the most of their situation and there remains much that we can learn from them about the intersection of daily lives, architecture, and nature.

All Photos By Max Levy, Faia, With Exception Of Next Page Top Left Photo Courtesy Fort Worth Public Library And Amon Carter Museum; Next Page Top Right Photo Courtesy Fort Worth Museum Of Science And History
Page 34

The Work, Part II: Contract Obligations and Options

by: James B. Atkins, Grant A. Simpson

As we observed in Part I (published in the previous edition) of this two-part series, the term “the Work” in the construction contract comprises more than labor and materials. In fact, the success of a project relies heavily on the contractor’s ability to plan, coordinate, and execute the means, methods, techniques, sequences, and procedures required to put the Work in place. This is not a new concept. Ten Books on Architecture, written by Marcus Vitruvius Pollio in 30 BC for Roman Emperor Augustus, emphasizes planning as being integral to good building construction. In Part I we identified many of the components of the contractor’s Work Plan. We referred to several available resources and pointed out various indicators to look for as one administers the construction contract, including how to tell if a plan is in the works. In Part II we take the next step to examine alternatives and actions to take if there is a weak or nonexistent plan, including a look at efforts by some contractors to manipulate work scope to avoid conformance. We will conclude with a successful case study followed by suggestions for managing the risks and liabilities that so often arise when the Work is not properly planned or managed.

Page 98

St. Emanuel House

by: Ben Koush, AIA

It has been quite some time since a modern house in Houston has received so much attention. In fact, it’s been more than 50 years since Bolton & Barnstone’s flat-topped, cool as a cucumber Gordon House (1955) was published as many times in the local, national, and international press.

Hester + Hardaway Photographers
Page 40

UTEP’s Green Roof Thrives in Desert; Modular System Monitored for Data

by: Lauren Woodward Stanley, Lars Stanley

As green roofs are increasingly explored and utilized, the range of their application is following suit. No longer only perceived as a technological option for regions with abundant rainfall (the Pacific Northwest, for example), they are making headway in hotter and drier climes, albeit with some tentativeness. Now, with a recent installation at the University of Texas at El Paso, the Lone Star State can claim significant green-roof forays on the institutional level from its east end (near Houston) to its westernmost point.

Javier Greigo, UTEP
Page 15

Seamless Expansion

by: Fernando Brave
Architect: Hopkins Architects with Hanbury Evans Wright Vlattas + Company

While other prominent universities in the U.S. comprise a fusion of signature stylistic expressions, Rice University has focused on architecture that reinforces the well synchronized, harmonious feel of its campus. Aside from some unique buildings – such as Thomas Pfeiffer’s Brochstein Pavilion and the school’s off-site Data Center and the Library Service Center by Carlos Jimenez – that provide interesting drama to the otherwise prevailing architectural uniformity,

Robert Benson Photography
Page 38

Campus Engagement

by: Justin Allen Howard
Architect: Prozign Architects; Sasaki Associates

Established in the heart of East Texas in 1917 and nestled among the region’s majestic pine forest, Stephen F. Austin University is quietly nurturing its student- focused campus life. The new Baker Patillo Student Center, completed in March 2007, has blossomed into a vibrant, 24-hour “town center” for the university and the town of Nacogdoches.

Richard Payne
Page 58

Vertical Challenge

by: Edward Richardson

My four-year-old niece, Jocelyn, compares them to “those pads that frogs jump on” and likes to imagine herself as some sort of energized amphibian as she climbs, leaps, and hops her way to the top. Her description is in reference to the new climbing installation or “climber” at the Children’s Museum of Houston’s recently completed expansion (by Jackson & Ryan Architects). The climber, designed and constructed by Spencer Luckey, frames an almost constant ingress of squealing, gleeful adventurers as they navigate the varied vertical pathways rising from the basement level of the addition. Boasting more than 70,000 linear feet of cable, 120,000 ring connectors, and 130 levels, the intricate assemblage plays a central role in the new exhibition space at the museum.

Paul Finkel/Piston Design
Page 76

Dallas Arts District: Past and Future

by: Stephen Sharpe

The reinvigorated Dallas Arts District provides a timely opportunity to feature performance venues around the state while highlighting the Winspear Opera House and the Wyly Theatre. Both are stunning additions to the downtown cultural enclave that has evolved over three decades through the roller coaster ride of the boom-bust economic cycle.

Craig Blackmon, FAIA
Page 5

‘Lost’ in the Borderlands

by: Stephen Fox

Austin architect W. Eugene George’s classic work, Lost Architecture of the Río Grande Borderlands, has returned to print in a handsome new edition.

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