New Texas Fellows Announced
Fourteen Texans are among the 134 architects elevated by the AIA to its prestigious College of Fellows, an honor awarded to members who have made contributions of national significance to the profession.
Fourteen Texans are among the 134 architects elevated by the AIA to its prestigious College of Fellows, an honor awarded to members who have made contributions of national significance to the profession.
For 60 years, the members of TSA have financially supported Texas Architect through their dues while also contributing in various ways toward making the magazine one of the best AIA component publications. That long-term collective effort is being recognized this year by the AIA with an Institute Honor for Collaborative Achievement bestowed as part of the 2010 AIA Honor Awards program.
One Texas project – the Brochstein Pavilion at Rice University by Thomas Phifer and Partners – is among 14 projects recognized with 2010 Institute Honor Awards for Architecture.
Brian Malarkey, AIA, of Kirksey in Houston is among nine honorees in this year’s list of AIA “Young Architects.” The Young Architects Award is given to individuals who have shown exceptional leadership and made significant contributions to the profession in an early stage of their architectural career.
The Corpus Christi chapter of the AIA announced its 2009 Design Award winners on Dec. 15. Nineteen entries were received with work completed between 2005 and 2009, and the submittals were judged by a distinguished jury of architectural peers from outside the area. Richter Architects was awarded all three honors.
Cynthia Woods Mitchell – like Ima Hogg, Dominique de Menil, and Jane Blaffer Owen – was an influential and discerning woman who changed the cultural and architectural landscape of the Houston area. Also like the others, Cynthia Mitchell had an eye for aesthetic perfection and a passion for beauty.
A team of students from the University of Texas at San Antonio has been recognized with the 2009 Kenneth Lanier Anderson Prize by the Texas Architectural Foundation (TAF) for measured drawings of the Spanish Governor’s Palace in San Antonio. The prize was presented in November in conjunction with the annual Charles E. Peterson Prize organized jointly by the National Park Service, the Athenaeum of Philadelphia, and the American Institute of Architects to highlight student work for the Historic American Buildings Survey (HABS).
Thirteen projects were selected for 2010 AIA Houston Design Awards. The jury – Brian Johnsen of Johnsen Schmaling Architects in Milwaukee, Wis.; Juan Miró, AIA, of Miró Rivera Architects in Austin; and Amanda Kolson Hurley, executive editor of Washington, D.C.-based Architect magazine – met Feb. 26 at the Architecture Center Houston to review 132 entries from 59 local firms. Awards were presented March 25 at the Rice Hotel in Houston.
The American Institute of Architects (AIA) has awarded honorary membership to Gail Thomas, Ph.D., president and CEO of the Trinity Trust Foundation. Honorary membership is one of the highest honors the AIA can bestow on any person outside the profession of architecture. Thomas, a Dallas resident, was recognized for her efforts to improve cities and for her support of the arts and architecture.
With the deadline having passed on April 23 for the 2010 TSA Design Awards, three jurors have been selected to review this year’s entries on May 21 at the TSA offices. The jurors are Adèle Naudé Santos, FAIA, dean of MIT’s School of Architecture and Planning and a principal of Santos Prescott and Associates in San Francisco; Tom Phifer, FAIA, of Thomas Phifer and Partners in New York; and Edward Bosley, director of the Gamble House in Pasadena, Calif., and an art historian on the faculty of the USC’s School of Architecture. They were chosen by the TSA Design Awards Committee, chaired by Michael Malone, AIA.
Congo Street Green Initiative in Dallas by Building Community Workshop recently received a 2010 American Institute of Architects/U.S. Department of Housing and Urban Development Secretary’s Award in the category of community-informed design.
Fifteen projects were selected for the 2010 AIA Austin Design Awards in April. The jury was comprised of Merrill Elam, AIA, of Mack Scogin Merrill Elam Architects in Atlanta, Ga.; Marlon Blackwell, FAIA, of Marlon Blackwell Architect in Fayetteville, Ark.; and Michael Imber, FAIA, of Michael G. Imber Architects in San Antonio. The three jurors reviewed over 100 submittals at the AIA Austin Center for Architecture.
This year’s TSA Studio Awards will be judged by three Arizona architects, each respected for design work and commitment to sustainable architecture. Comprising the jury is Wendell Burnette, FAIA, of Wendell Burnette Architects in Phoenix; John Kane, FAIA, a founding principal of Architekton in Tempe: and Philip Weddle, AIA, of Weddle Gilmore Black Rock Studio in Scottsdale.
Casa Verde, a conceptual project by Houston’s Morris Architects, was one of three projects awarded an Honorable Mention in the 2009 Dallas Urban Re:Vision international design competition that challenged participants to transform a 2.5-acre downtown parking lot into an entirely self-sustaining mixed-use, mixed-income development.
The annual TSA Design Awards program provides an intriguing snapshot of the state of architectural design in Texas. While nowhere near comprehensive in depicting a multifaceted profession, each year’s collection of winners nonetheless offers a survey of contemporary trends and the occasional flash of creative brilliance. Beyond its beauty-contest aspects, the program may also reveal insights into current economic conditions through the level of participation.
During the 1960s, as several cities planned to build high-profile vertical symbols of their ambitions toward global prominence, San Antonio erected the Tower of the Americas as the theme structure for HemisFair ’68.
After seven hours of uninterrupted work on May 21, this year’s TSA Design Awards jury finalized its selections. The jury began with 200 entries, keeping 61 from that total in the first round, and finished a second round with 21 before ultimately choosing the 11 projects featured on the following pages.
When Malcolm McLean devised the now-ubiquitous metal shipping container in the 1950s, his idea transformed the cargo transport business. The movement of goods on a global scale was greatly facilitated by what became known as inter-modal steel building units.
In a famous Letter to the Editor in Architectural Record, architect Andres Duany labeled the four types of architectural consumers—patrons, clients, customers, and martyrs. Although he was writing in reference to housing, let’s (with apologies to Mr. Duany) apply the same categories to municipal architecture.
Entering the Lance Armstrong Foundation (Livestrong) headquarters is an exercise in transition—from busy streetscape through serene garden to an open, sunlit interior. Transition also characterizes the conversion of the 1950s-era warehouse into the Livestrong offices, considering that a wide variety of the project’s materials were salvaged from the original structure.
Upon hi s death in 1861, a French merchant from Reynosa named Rene Guyard, bequeathed a tract of land along the Rio Grande near present-day Mission to two Catholic priests “for the propagation of the faith among the barbarians.” Thus began the 150-year history of La Lomita Chapel as a rendezvous point for Oblate missionaries in their travels through the wild borderlands.
A view of the limitless horizon can have a transforming effect. Watching the landscape stretch out across miles can cast a spell over even the most world-weary, especially from a high point where one is transfixed by the subtly shifting light over a wide space, cloud shadows cast across the land, a wild storm approaching from afar.
Integrating architecture into any given context while maintaining design integrity is a fine art. Architects must constantly walk the line between over- or under-contextualizing a building to support its strength as a unique entity within its environment. Somewhere between total disregard to surroundings and cliché facsimiles of geologic or biologic imagery, a good architect can find a project’s meaning without being overt. Such sought-after balance has been gracefully achieved by Overland Partners with the firm’s new Overlook Pavilion at Penn State University.
Upon seeing the renovated Pearl Stable one can fully appreciate how past generations respected even the most prosaic of structures. The stable building was originally constructed in 1894 to house the horses that pulled the beer wagons of the Pearl Brewing Company. The elegance of the original two-story, elliptical structure derives from the simplicity of its plan – with horse stalls arranged on the ground floor around its perimeter and its core – and the richness of the corbelled and patterned brick on the exterior. The second floor served as the hay loft from which feed could be dropped through the chutes to the horses below. At the center of the roof was a handsome cupola that provided ventilation to the stables.
Fort Worth Country Day ha s the cache t of bei ng one of the premier college preparatory programs in North Texas. In existence since 1963, Fort Worth Country Day offers K-12 instruction on its campus in southwest Fort Worth. Students become accustomed to the feel of a college campus as they change classes and circulate among separate academic buildings throughout the school day. Covered walkways, an abundance of trees, and landscaping with mature plantings are evidence that the school’s leadership sees the importance of an appropriate setting in creating an environment for learning.
“Beauty alone doesn’t hold your interest for very long. You want things to be a little… scary. But the kind of awe that derives from nature is extraordinarily tranquil.” So muses Arthur Andersson, AIA, in the recently published Natural Houses that features several projects designed by Andersson-Wise Architects, the Austin firm led by him and Chris Wise, AIA. Prominently showcased in the book is Stone Creek Camp, a backwoods hideaway built on a ridge overlooking Flathead Lake in rural northwestern Montana. The elegantly rusticated encampment comprises eight small buildings strategically arrayed across the steeply sloping site, each positioned to foster an individual and collective sense of refuge.
Rising above congested freeways, oversized houses, and drab strip malls, a new architectural landmark has been added to Houston’s horizon. A product of the General Service Administration’s Design Excellence Program, the austere and impressive governmental GSA Regional Field Office emerges from the nondescript suburban landscape with its simple form and emerald skin.
According to Kevin Alter, the 4,200-sf, three -story East Windsor Residence is essentially a one-bedroom loft because the top floor “has all the pleasures and attributes of a penthouse and then it expands down to give you all this other stuff.” The project was designed by Alter, along with alterstudio architects co-principal Ernesto Cragnolino, AIA, with a focus on the third level, which boasts 270-degree views and contains the master suite, kitchen, and main living area. But the “other stuff” found on the remaining two levels completes this finely crafted house in dynamic and dramatic ways.
During its 71st annual convention in San Antonio, Oct. 14-16, the Texas Society of Architects recognized the following as this year’s Honor Award recipients for significant contributions to the architectural profession and the quality of the built environment.
In recognition of its distinguished architecture and significant contributions to the architectural profession and the community, Overland Partners Architects of San Antonio was presented with the 2010 TSA Architecture Firm Award on Oct. 15 during the Texas Society of Architects/AIA convention.
A project by architecture students at the University of Texas at San Antonio to document the Heermann Store, a single-story commercial building erected in 1892 in rural southwest Bexar County, has been recognized with a 2010 Charles E. Peterson Prize.
Two juries – one judging the built projects and another the unbuilt – for AIA Dallas’ 2010 Design Awards program presented 16 awards following deliberations in late September at the Dallas Center for Architecture. A total of 117 submittals, 74 built and 43 unbuilt, were entered by members of the local chapter.
Six projects by members of AIA Northeast Texas were recognized in the chapter’s 2010 Design Awards program. Jurors viewed a total of 15 entries before making their selections on Oct. 14 at the Center for Architecture in San Antonio.
On July 16, a jury of three Arizona architects met in Phoenix to selecte unbuilt projects for honors in the 2010 TSA Studio Awards. The jury chose four entries from 80 submittals. The awarded projects are featured on the following pages, along with comments from the jury.
Color Clock House was conceived as a speculative house for a developer of an enclave of sustainable homes in Dallas.
The concept for edgeHouse explores the architectural potential of a house that fully exploits the unique social and environmental dualities of Marfa.
Pegboard is a sustainable and expandable shelter for the people in the African nation of Ghana.
For his efforts to encourage minority, under-served, and low-income students to pursue careers as architects, the American Institute of Architects’ Board of Directors has selected Clyde Porter, FAIA, as the 2009 recipient of the Whitney M. Young Jr. Award.
The jury in AIA El Paso’s 2008 awards program recognized seven projects for design excellence. From more than 25 entries submitted in four categories – commercial, interiors, residential, and future projects – the jury presented two Honor Awards, four Merit Awards, and one Honorable Mention.
After jurors carefully evaluated 53 entries from 20 local architectural firms and one individual AIA member, the AIA San Antonio chapter announced the winners of its 2008 Design Awards. A total of 13 projects were recognized with awards in early November. Kell Muñoz topped the list with five awards.
The jury for AIA Fort Worth’s 2008 Design Awards convened Oct. 14 at the Modern Art Museum of Fort Worth where they sifted through 40 projects before selecting nine for distinction.
The Northeast Texas chapter of the AIA presented five design awards at its annual Christmas party and chapter meeting on Dec. 2. The winning projects for this biannual event were selected from a field of 18 entries representing seven firms.
Andy Dekaney High School recently received the 2008 Caudill Award, the highest honor given in the TASA /TASB Exhibit of School Architecture. Based on findings that students perform better in small groups, “Instruction Should Drive Construction” was the guiding philosophy for SH W Group’s design of the 486,000-square-foothigh school sited on 80.7 acres in Houston’s Spring Independent School District.
Camilo Parra, AIA, of Houston is among eight recipients of the 2009 AIA Young Architects Award. The national honor is presented to professionals who have been licensed 10 years or less regardless of their age.
Designed by Helen Pierce of PierceWorkshop in San Antonio, Pulse recently won the $8,000 DawnTown 2008 Award sponsored by the Miami Downtown Development Authority.
Two projects by Texas firms are among the 17 residential buildings recognized in the 2009 AIA Housing Awards. The awards program, now in its ninth year, was established to recognize the best in housing design and promote the importance of good housing as a necessity of life, a sanctuary for the human spirit, and a valuable national resource.
Lake/Flato Architects’ Shangri La Botanical Gardens and Nature Center in Orange is among the Top Ten Green Projects for 2009 as recognized by the AIA’s Committee on the Environment (COTE). Each year the national award celebrates excellence in sustainable architecture and design solutions that protect and enhance the natural environment.
Three highly respected designers will judge the entries in the 2009 TSA Design Awards program. The jurors will be Philip Freelon, FAIA, president of the Freelon Group in Raleigh-Durham, N.C.; Mary Margaret Jones, FASLA, president of San Francisco-based landscape architecture firm Hargreaves Associates; and Rick Joy, AIA, of Rick Joy Architects in Tucson. The jury is set to meet May 15 in Austin.
Gisue Hariri of Hariri & Hariri Architecture in New York City, has been selected to lead the 2009 Texas Society of Architects Studio Awards jury. This year’s TSA Studio Awards will be judged separately from the Design Awards, and the deadline for entries has been set later in the year to encourage more students to participate in the competition.
AIA Houston honored 12 projects at its 53rd annual Design Awards Dinner held on March 26 at the Rice Hotel’s Crystal Ballroom. Winners were selected from 115 entries in six categories: architecture, residential architecture, interior architecture, renovation/restoration, urban design, and on the boards.
Recognized with a 2009 Great Places Award, co-sponsored by the Environmental Design Research Association and Metropolis magazine, the West Dallas Gateway suggests redevelopment strategies for a blighted, post-industrial area of the city.
On April 18, AIA Austin recognized 15 projects at its 2009 Design Awards Gala held at the historic Browning Hangar on the redeveloped grounds of former Mueller Municipal Airport. Of the 115 submitted projects, 14 received Design Awards and one received a Studio Award.
The effects of the economic downturn are now clearly apparent across the state. The evidence is rendered in less-than-optimistic forecasts as firms cautiously plan for 2010. The recession is brought into sharper relief when compared with the robust business climate enjoyed by design professionals for a decade prior to last year’s fourth quarter.
The Margarite B. Parker Chapel is essentially unchanged since completed in 1966, a pink-brick Romanesque duomo at the spiritual center of O’Neil Ford’s idealized hill-town campus of Trinity University.
AIA Brazos held a jury on Aug. 6 for the chapter’s biannual design awards program. Jurors included Dror Baldinger, AIA, of Marmon Mok Architects, Brantley Hightower, AIA, of Lake/Flato Architects and Stephen Sharpe, the editor of Texas Architect. From a total of nine projects submitted, the jury selected three for recognition.
The 2009 TSA Design Awards jury met in Austin on May 15 to view 261 submittals of built work. The jurors were Mary Margaret Jones, FASLA, of Hargreaves Associates (San Francisco, Cambridge, and New York); Rick Joy, AIA, of Rick Joy Architects (Tucson); and Philip Freelon, FAIA, of the Freelon Group (Durham, N.C.)
When Antoine Predock, FAIA, was in midst of conceiving the new Austin City Hall, he commented that the city was “terminally democratic.” He made the remark after his design survived a protracted review process that included more than a dozen town meetings and hearings before the City Council. A similar sort of public scrutiny – albeit on a smaller, neighborhood scale – resulted when Dick Clark Architecture added a zoning non-compliant residential building to its 1400 South Congress mixed-use project.
Discussing Dallas Fort Worth International Airport Terminal D and its selection for a 2009 TSA Design Award, juror Philip Freelon, FAIA, said, “We thought that the project was a very good example of a public building, very prominent, but it still was handled with quite some sensitivity. We all have been in airports, probably more than we’d like, and this is one where you actually feel a sense of light and airy space, which is relaxing. Natural light was well used, and the high volume of the space gives it an open and comfortable feeling. We thought it was well worthy of an award.”
The area just north of downtown Dallas known as Oak Lawn is rich and diverse in demographics, land use, and building types. Having matured over time, Oak Lawn has evolved into a neighborhood of restaurants, churches, hotels, offices, and a varied assemblage of residential buildings.
From the street Cunningham Architects’ House in the Garden is a beautifully conceived and executed object, partially shielded behind an iconic wall constructed of stainless-steel wire grid and filled with fragments of slag glass. This idealized garden villa – really a giant porch – provides a delightful way to both view and inhabit a highly personalized landscape. It’s a thoughtful and well organized bit of place making; surprisingly its greatest success is as a foil and extension of an outdoor space that was originally part of the adjacent house.
This word painting by Rand Elliott, FAIA, explains how he wants people to understand his latest award-winning project, ImageNet of Houston. Employing poetry or manifestoes to describe one’s work is not uncommon these days. Indeed, such material appears to be a prerequisite of the current media culture that promotes “starchitects,” “signature architects,” and one-hit wonders. Supportive text is, we are led to believe, required reading. If a building appears mundane, baffling, or otherwise underwhelming, just refer to the narrative. Within the architect’s words, we are told, lies the true meaning which will assure in our prosaic times that, yes, this is Architecture.
Once just another nondescript, single-story building indistinguishable from its neighbors that together comprise a light-industrial district wedged between downtown Dallas and the Trinity River, the Light & Sie Art Gallery now stands out. The reconfigured entry, framed by a box of aluminum panels, asserts a refined presence that quietly commands attention amid the clutter of storefronts along Leslie Street on the city’s near-west side. The 13,000-sf project is one of the latest examples in a transformative trend for the area where a few of the shopworn buildings have been repurposed as showrooms for the design trade and retail galleries for contemporary art.
Approaching the Linda Pace Foundation from the east, visitors are confronted with a strikingly graphic text piece on the building’s canvas-like facade, a short poem by Daniel Edgar Martinez: “beauty…it rubs against one’s tongue, it hangs there, hurting one, insisting on its own existence, finally it gets so one cannot stand the pain, then one must have beauty extracted.” It’s an “in your face” message that transcends its purpose as a public art piece and could describe the transformation of a derelict 1940sera auto paint shop into what is now the subtle and powerful beauty of the Linda Pace Foundation.
Once the site of an identical apartment building as the building the gallery now inhabits, is where the designers Dillon Kyle and Cedar Baldridge imagined a parking lot built for the artists of the gallery. The parking lot is actually used more by the guests and owners of the gallery but it makes a nod to the artwork inside. It is a unique integration of art, landscape, and function.
Although San Antonio’s iconic settings are significant especially when weighed for their economic benefits to Texas’ third largest city, the broader story of her heritage, traditions and, most importantly, her people is to be found in quarters beyond the shadows of high-rise downtown hotels.
Aglow at night like a gigantic Chinese paper lantern, the Lenora and Walter F. Brown Asian Art Wing, designed by Overland Partners of San Antonio, inserts a luminous minimalism into the crenellated, century-old former Lone Star Brewery that houses the San Antonio Museum of Art. The architects have maintained the subtle rhythms of the circa-1900 brewery while deftly introducing a sleek, modern horizontal complement to the venerable, vertical brick structure.
The comprehensive renovation of a circa-1970 Brutalist office building has yielded a comfortable and award-winning home for the innovate research being conducted by the University of Texas at Dallas Center for BrainHealth. Designed by HKS, with Kyley Harvey leading the effort, the 63,000-sf project was completed in late 2006.
Wolfe Den, by MJ Neal, AIA, represents the Austin architect’s fifth TSA Design Award. The 2,300-sf residence, designed for a young professional couple, is a study in layers, light, and logic, and stands out in subtle contrast to Neal’s previous award-winning work, which includes Twin Peaks (2003), Ramp House (2004), Anthony Nak (2005), and Farley Studio (2007). “This is a much more subtle work than Ramp House and Twin Peaks. The division of space is central to this project,” says Neal, when asked to define the difference between this home and the three others (Twin Peaks comprises two side-by-side dwellings) on the same south Austin street. Sited in an eclectic neighborhood populated by mostly 1930s-era homes interspersed with hip makeovers, Wolfe Den is bordered on the east by a one-story bungalow and on the west by the strikingly modernist Ramp House. Further down the block are Twin Peaks.
During its 70th annual convention in October, the Texas Society of Architects recognized the following as this year’s Honor Award recipients for significant contributions to the architectural profession and the quality of the built environment.
Carolyn Peterson, FAIA, is the forty-first recipient of the Texas Society of Architect’s highest award – the Medal for Lifetime Achievement in Honor of Llewellyn W. Pitts FAIA – presented annually to a TSA member for contributions to the profession of architecture and their community. From its inception in 1968 until this year, the honor’s awardees have been exclusively male.
In honor of its significant contributions to the architectural profession and the community, the 2009 TSA Firm Award was presented to PageSoutherlandPage during the Texas Society of Architect/AIA convention on Oct. 23.
Since 2004, the Texas Society of Architects has sponsored the TSA Studio Awards to recognize the best in unbuilt work by architectural students and faculty, as well as by architects practicing in the state. Prior to this year, submittals were reviewed by the same jurors who judged the TSA Design Awards.
Where the historical covered bridge protected the structure from the elements, this reinterpretation permits the elements to pass through the structure. Located in the Texas Hill Country, the Sorensen Bridge is the addition of a structure to an existing bridge spanning 50 feet across Sandy Creek near New Ulm. The creek divides 220 acres of private property that belongs to an entrepreneur whose business is selling tube steel.
While undergoing tremendous political and socio-economic transition in light of the post-Saddam Hussein regime change, Kurdistan is embracing education and the power it has to transform a nation. This has led to a desire for schools that can serve as catalysts for the transformation, and the new Transformational School will become a prototype for introducing twenty-first-century educational methods.
Bird watching presents untapped potential for the hospitality industry. With as many as 47.8 million American’s calling themselves “birders,” a niche market for hotel design has been previously overlooked. Morris Architects designed an approach that can make this great pastime a sensory, exciting experience for anybody—professional naturalists, hobbyists, or those in search of a luxurious retreat experience.
FEMA trailers are by their nature temporary and by their character demoralizing. What if a permanent solution could be deployed quickly enough to help people retain their community, spirit, and viability? Lift:Home was developed for this purpose.
Simulation helps designers see virtual space as more than just a mirror of reality, allowing the user to test the potential realities – site conditions, material properties, lighting, and the laws of physics – of a design before constructing it at full scale.
The project proposes to redevelop Valencia’s old harbor in Spain that represents the commitment of the city with a modern spirit, rich in options and aspirations. This project of renovation and master planning intends to recover the harbor in a sustainable manner. The project proposes: 1) to create a waterfront where none currently exists; 2) to integrate the port into the city; 3) to suitably separate the port and non-port uses; 4) to order traffic circulation along the seafront; 5) to resolve the area in which the dry river bed joins the sea; 6) to conserve and recover the heritage of the area; 7) to propose a suitable combination of public and private uses; and 8) to consider pre-existing uses for their integration into a sustainable environment.
The 89,000-sf museum in downtown Lima exhibits Peru’s collection of ancient and contemporary textiles while also providing spaces for research, preservation, education, and social/community events. It also utilizes lighting, scale, and spatial experience to properly display textiles.
Death and humans’ response to it have long held the power to bind cultures together and create places that transcend time and custom. Our collective respect for the dead and where they are laid to rest reaches across cultures like few other human experiences. It is the commonality of this reverence that guides the creation of Yarauvi, a necropolis at the center of the Dead Sea.
From the 58 projects entered in the 2007 AIA San Antonio Design Awards, jurors selected two for Honor Awards, three for Merit Awards, and five for Citation Awards. In addition, the jury recognized two of the award-winning projects for sustainable design. During ceremonies held Oct. 24 at the recently renovated Pearl Stable, two other awards were announced—the Mayor’s Choice Award honoring a publicly funded architectural project and the chapter’s 25-Year Design Award for a project `that has stood the test of time.
The local chapter of the AIA recognized four projects in the General Design category and one project in the Mayor’s Award category in ceremonies that took place at the Modern Art Museum of Fort Worth. The members of the 2007 jury were Julie Eizenberg, AIA, of Koning Eizenberg Architecture in Los Angeles; Errol Barron, FAIA, of Errol Barron/Michael Toups in New Orleans; and Kevin Alter, Assoc. AIA, of Alterstudio Architects in Austin.
The Dallas chapter of the American Institute of Architects announced the 2007 design award winners during its annual Design Awards Announcement and Celebration Party in the AT&T Victory Plaza on Sept. 19, 2007.
Thomas McKittrick, FAIA, of Houston is the 2008 recipient of the Edward C. Kemper Award for his contributions to the profession through service to the American Institute of Architects. In 1991, he was honored with TSA’s Llewellyn W. Pitts Award (now called the Lifetime Achievement Medal), the Society’s highest recognition for an architect member.
The Lower Rio Grande Valley chapter of the AIA honored local architectural projects during its 2007 Holiday and Design Awards Celebration held in McAllen.
Carl Wunsche Sr. High School is a career academy located in the Spring Independent School District of Houston. SH W Group oriented the 273,178-square-foot school around three academic towers that each focuses on a specialized area of study.
The 120,792-square-foot LaGrone Advanced Technology Complex, located in the Denton Independent School District, includes 16 academies that provide students with trade-specific technical skills. PBK Architects of Dallas has uniquely designed each academy to reflect a specific professional working environment that facilitates increased learning through experience.
The 98,620-square-foot Sky Harbour Elementary School, located in the Southwest Independent School District of San Antonio, has been transformed from a solid concrete, windowless building into a series of welcoming, light-filled spaces. Pfluger Associates of San Antonio created a two-story classroom addition with a new administrative area.
West Brazos Junior High School, located in the Columbia- Brazoria Independent School District of Brazoria, is the first LEE D certified public school in Texas. SH W Group designed the 91,500-square-foot building to fit into its natural surroundings.
Thirteen Texans, along with 103 other honorees, have been elected AIA Fellows by the 2008 Jury of Fellows in Washington, D.C. The announcement was made on Feb. 29. From a membership of more than 81,000, the AIA has fewer than 2,600 members distinguished in fellowship, which requires at least 10 years of membership and significant architectural contributions on a national level.
Anthony Nak Flagship Store, a high-end jewelry boutique designed by MJ Neal Architects of Austin, has been recognized with a 2008 AIA Honor Award for Interior Architecture. Located in downtown Austin, Anthony Nak represents the only project with a Texas connection among this year’s slate of winners.
When hundreds of architects and urban planners convene here in March for the Congress of the New Urbanism’s CNU XVI, one of their main topics of conversation will be: Can Austin be a truly great city?
The Texas Historical Commission in January awarded nearly $56 million to 17 counties in its latest round of matching grant under the auspices of its nationally recognized Texas Historic Courthouse Preservation Program. The counties set to receive funds in Round V of the program are Cass, Cooke, Fannin, Hall, Hamilton, Harris, Hood, Kendall, La Salle, Lavaca, McCulloch, Mills, Potter, Randall, Roberts, San Augustine, and Trinity.
AIA Houston honored 16 projects during the chapter’s fifty-second annual Design Awards Dinner held on March 27 at the Rice Hotel. Winners were selected from 117 entries.
The jury for the 2008 TSA Design Awards will be arts writer Judith Dupré and architects Steven Ehrlich, FAIA, and Billie Tsien, AIA. The three are scheduled to meet June 27 in Austin to review entries and make their selections. The deadline for entries is May 30.
Lake/Flato Architect’s Lake Tahoe Residence is among 19 projects recognized in the 2008 AIA Housing Awards. The competition, now in its eighth year, was established to spotlight the best in housing design and promote the importance of good housing as a necessity of life, a sanctuary for the human spirit, and a valuable national resource.
AIA Austin honored seven projects during the chapter’s 2008 Awards and Honors Gala held on April 19 at the Mexican American Cultural Center. The projects were selected from a pool of 65 entries submitted by local firms.
In November, AIA Lubbock presented its 2007 Design Awards at the Merket Alumni Center on the Texas Tech University campus. The competition is held every other year to spotlight the talents of architects from the Lubbock area.